"Then that was because they were acquaintances," snapped Luciola.
"It is true they knew each other. But it was not for the beaux yeux of the big red-bearded artist that the Prince stopped. It was to look at my face in the sketch-book. There were other faces there, too, and on the page next to mine the profile of a most lovely lady, all blond like an angel, whose name the Prince knew, for he and the artist talked of her, and called her Miss Grant. I have heard much conversation about her since then, at Madame Winter's, at tea-time in the afternoon when I bring in the tray and give cakes to visitors. They all, especially Madame's cousin, speak of Miss Grant, and she is celebrated for her beauty as well as for her gambling: yet your Prince looked as much at my picture as at hers, quite as much; and the artist could have taken no more pains with me if I had been a queen. So you see what other people think. And as it happens, I do know a great deal about this Prince."
"Nothing against him, then, I am sure," persisted Luciola, though somewhat impressed. "Monsieur le Curé loves him, which alone proves that he is good."
"Does Monsieur le Curé consider it good to gamble at Monte Carlo?" inquired Nathalie, with assumed meekness.
"Of course not. Prince Giovanni would not stoop to such a pursuit."
"Oh, would he not? That is all you know of the world, here on your mountain, dear aunt. Me, I hear everything that goes on, though I live in the house of a cleric. Madame's cousin knows well your Prince, who, it is true, did not gamble at first, and seemed to scorn the Casino, so I heard from Monsieur Carleton while I poured the tea. But for some reason he has taken to play, the Prince. He is always in the Casino. He has refused to live in the villa at Cap Martin with his brother and sister-in-law, who have now arrived, because he hates to be too far from the Casino, though perhaps they may not know why. Monsieur Carleton has told Madame that not once have they been inside its doors, or shown themselves at any Monte Carlo restaurant. Oh, your Prince is a wild gambler, aunt, and loses much money, which is a silly way of amusing one's self, in my opinion. And that is why I say he is not so good as you and Monsieur le Curé think him, you who are so innocent."
"I do not believe one word of your foolish gossip," was the only satisfaction Nathalie got from Luciola. But when the girl had gone, the little old woman was in such haste to retell the tale to the curé, that she did not even throw a glance at Nathalie. If she had, she might have seen the Storm-cloud brightening when, quite by accident, she was met by Achille Gonzales within a few yards of the curé's door.
Old as she was, Luciola had an excellent memory for anything that interested her, though she was capable of forgetting what was best forgotten in a household, such as the breaking of a dish, or the reason why the cat had been left out of doors all night in the rain. She repeated what she had heard from her niece, almost word for word, wandering a little sometimes from the straight path of the narrative into side tracks, such as the anecdote of the artist who took as much pains with Nathalie's portrait as with that of the great beauty, Miss Grant, who was always gambling at the Casino, the place where wicked people said that Prince Giovanni played. No exciting detail did Luciola neglect.
The curé listened to the end, without interrupting, greatly to the housekeeper's disappointment, as she had made her narrative piquant in the hope of tempting her master to ask questions. But he showed no emotion of any kind, and only remarked at last that Luciola was quite right not to believe gossip about the Prince, or indeed evil of any one.
Nevertheless her story left him reflective. He thought it not impossible that Vanno was gambling; and if it were the case, several things would be explainable. It was many days since the Prince had come to Roquebrune, although the curé had done what he did not wish to do, in order to please his one-time pupil.