"Well!" exclaimed the Princess, after she had tried in vain to attract Mary's notice, "as you're so delightfully occupied, I may as well remove myself and leave you in peace. In less than an hour the fair Idina will be upon us; and I'm going upstairs now to make myself as pretty as Angelo thinks me, to do honour to his cousin. By the way, it's our first luncheon party, not counting you and Vanno and the curé."
She slid out of the red hammock, showing slim ankles that gleamed like marble through a thin film of bronze-brown silk. As she went into the house humming some Italian air she had picked up, Mary thought how young and innocently gay she seemed. It was almost impossible to believe her the same woman who had sobbed behind a disguising veil in Rose Winter's drawing-room, begging Mary to swear by Vanno's love never to betray her secret. And it seemed equally incredible that this mirthful and charming girl could have such a secret to hide. Mary tried to forget. It was a kind of treachery to remember those tears, and the reason for them which Angelo must not know. To change her thoughts, Mary sprang up swiftly, and, calling Angelo's Persian dog Miro—a lovely white creature like a floating plume—she went out through the woods with her letter for Vanno, meaning to take a short cut among the olives, to a branch post-office not far off.
As she returned a few minutes later, two women walking at a distance under the great silvery arbour watched her run by with the Persian dog.
"That's the girl I told you about, who is going to marry my cousin Giovanni, Prince Della Robbia's younger brother," said Idina Bland to her companion; "the Miss Grant who has been so much talked about here." Idina had a contralto voice, with tones in it almost as deep as those of a very young man. It was musical, and gave an effect of careful training, as if she had studied voice-production and had become self-conscious through over-practising.
"It's strange, the resemblance in those names," the other woman murmured, almost as if speaking to herself. She was small and extremely thin, with insignificant features and sallow, slightly freckled complexion. But, though she was one of those women who might be of any age between twenty-eight and forty, her piercing gray eyes under black eyebrows, her quivering nostrils and slightly pointed chin, gave her a look of intense vitality. She was like a powerful if small electric lamp, purposely veiled by a dun-coloured shade. "It's doubly strange, because"——she went on; then let her voice trail away into silence rather than break off abruptly. She had a slight accent suggesting the Middle West of America.
"Because—what?" Miss Bland caught her up with impatience.
The other deliberated before answering. Then she replied: "I'd rather not say anything more yet. I may be mistaken—very likely am. Wait until I've seen your Princess and this girl together. Then—probably I shall know."
Idina Bland glanced at her angrily, and opened her lips, but closed them again, and in silence began to walk on toward the Villa Mirasole. The neat little figure of her friend in its khaki-brown tailor-made dress kept up with her briskly. The bright eyes fixed themselves for an instant on Miss Bland's sullen profile, and twinkled as they turned away. It was as if she enjoyed the knowledge that Idina was afraid to show impatience, as a small, intelligent animal often revels in dominating one that is larger and more important in its own estimation.
When Mary returned to the loggia to gather up the writing materials she had left there, the Princess had come back, wearing a gown which Mary had never seen. It was a silky white taffeta over yellow, and as she moved light seemed to run through the folds like liquid gold.
"'Clothed in samite, mystic, wonderful,'" Mary quoted.