The irregular, cream-coloured façade was broken up into many separate parts by pillars and frenzied ornaments of plaster, and there had been addition after addition, stretching away long and low to the left. A row of large windows, discreetly veiled so that no shadows could be cast from within, glowed with warm yellow light. Their refusal to betray any hint of what passed on the other side suggested a hidden crowd busy with some exciting, secret pleasure. Along the cornice of the newer portions at the left of the original Casino were perched bronze youths with golden wings, their hands holding aloft bunches of golden flowers. Two towers meretriciously mosaiced with coloured tiles balanced the centre of the higher and middle building, and a portico of iron and glass, ornate yet banal as the architecture of a railway station, protected the carpeted steps and the three large doors which were grouped closely together, doors through which people constantly passed in and out like bees at the entrance to a hive. In the pensive sweetness of the semi-tropical night, this fantastic erection in plaster and gilding and coloured ornaments seemed an outrage, a taunt, a purposeful affront; and yet—the very violence of the contrast, its outrageousness, gave it a kind of obsessing charm.
Unseen from where Mary sat, the Mediterranean sighed upon its ancient rocks. A faint breath of the mysteriously perfumed air stirred the exotic palms over her head and made their fronds rub against each other gratingly, as if some secret signal were being carried on from one to another. Turning to right, to left, or to look behind her, dimly seen mountains soared toward a sky that deepened from asphodel to the dark indigo of a star-powdered zenith. Eastward in the distance ran a linked chain of lights along the high road that led to Italy; and a bright cluster like a knot of fireflies, pulsing on the breast of a mountain, marked the old hill-village of Roquebrune. Kindly enveloping nature was so sane and wholesome in her vast wisdom and stillness that the sugar-cake Casino and all its attendant artificialities struck into the brooding peace a shrill note of challenging incongruity. The little sparkling patch of light and colour that was Monte Carlo proclaimed that it was there for some extraordinary and powerful purpose, that its bizarre beauty was dedicated to exceptional uses; and it occurred to Mary that the temple of Chance must after all diverge from every rule of architecture in order to stamp its meaning on the mind. The feverish decorations began to express to her the fever of gambling, and even to create a desire for it. She felt this longing grow more insistent, like strains of exciting music that swelled louder and louder; and suddenly in the midst she seemed to hear Peter's voice saying, "What if it should be true, the thing your father was afraid of?"
What if it were true? How could she tell? In his last terrible letter he had reminded her that she had wild blood in her veins, and told her to "be careful."
She had thought when hearing Peter's descriptions of the Riviera that the gambling part of life there would interest her least of all, but already she was under the spell of the Casino. It drew her toward it, as if Fate sat hiding behind the veiled bright windows, just as Monte Carlo had called irresistibly, forcing her to get out of the train when she had meant to go on. She began to doubt her own nature, her own courage and strength of will. She thought of what was passing on the other side of the cream-white walls as if it were a battle into which she was compelled to plunge, and she imagined that thus a young soldier might feel in a first engagement—tremulous, and almost sick with anxiety which was not quite fear.
Her heart beating fast, she jumped up, and crossing the road resolutely mounted the steps which were guarded by tall, fine men in blue livery. Inside the doors which she had watched so long she found herself entering an outer lobby. Beyond was another, also kept by liveried men. A room led off this, and Mary could see people leaving their wraps with attendants who stood behind counters. She parted with her cloak, and was given a metal disc bearing a number. Near by, a French couple, who looked like bride and groom, were examining their discs, and telling each other that it would be tempting Providence not to stake money on such numbers as onze and dix-sept. At this, Mary glanced again at her bit of metal. Its number was 124. She remembered hearing from Peter that in the game of roulette it was a favourite "tip" to bet on the number representing your age. Peter spurned the idea as silly and childish; but Mary thought it might do to begin with, as she knew nothing better. Her age being twenty-four, she decided to adopt the French bride's suggestion, and bet on the last two numbers cut into her cloak-ticket.
Beyond the second lobby, she passed into a vast pillared hall, where men and women, not all in evening dress, were strolling up and down, smoking and chatting, or sitting on leather-covered benches, to stare aimlessly at the promenaders, as if they were tired, or waiting for something to happen.
This hall puzzled Mary, for she had imagined that beyond the two lobbies she would pass directly into the gambling-rooms. Here were no tables such as Peter had described; and the fact that she must go still farther seemed to increase the mystery or secrecy of the place. Mary hesitated, not knowing which way to turn, for there were several doors under the high galleries that ran the whole length of the hall. This must be the atrium, where, Peter had said, the "guests of Hercules" were accustomed to make rendezvous. It was cool and classic, a hall for reflection rather than excitement, as if it were intended for those who wished to plan a new way of playing, or to rest in, between games.
Suddenly a man in livery with a peaked cap threw open a door at the back and past the middle of the hall. From it instantly began to pour a stream of people in evening dress, and as they separated themselves from the tide, they divided into knots of twos and fours.
"Perhaps they gamble in groups, or batches," Mary thought, and her heart sank lest she, being alone, might not be allowed to play. She could not recall anything said by Peter about this; but she went timidly to the door, and asked the man in livery if this were the way "into the Casino."
"It is the way into the theatre," he informed her. "The first act of the opera is just over. Mademoiselle is a stranger then? Those people will go to the roulette and trente et quarante rooms to amuse themselves for half an hour till the beginning of the next act."