Once before, when he was almost a boy, he had come here with his brother Angelo for a few days. They had gone to see the Prince, whose ancient family, the Grimaldis, was older and more important even than the house of Rienzi. Vanno had promised Angelo that he would call at the palace this time, and he decided to do so formally in the afternoon; the morning he resolved to spend in walking up to La Turbie and down again. The exercise would clear his brain; and he fancied that he remembered the way well enough to find it again without asking directions.
There was something else he might do also, if there were time. A priest whom, as a boy, he had known well at Monte Della Robbia was now curé at Roquebrune. They corresponded, and in coming to the Riviera, Vanno had planned to look him up. He was in a mood to want a full day's programme.
In a few moments' walking he left Monte Carlo behind and came out upon the open hillside, where, above him, he saw the path leading skyward like an interminable staircase. Often as he mounted, bareheaded, his hat in his hand, he caught himself mentally trespassing on forbidden ground, thinking of his lost Giulietta, and wondering what she had been doing, every day and hour of her life since she was a child. He had never felt this pressing, insistent curiosity about any human being before. His thoughts followed the girl everywhere, wherever she might be; and something—the same Something which refused to disbelieve in her—seemed to know where she was at that moment, even how she looked, and what was in her soul, though his outer intelligence could see nothing. That rebellious Something longed to turn back toward Monte Carlo, to keep near her and guard her. It cried out strongly to do this, but Vanno would not listen. He sang to himself as he walked up the mule path among olive trees; and peasants coming down from the mountains, their nailed boots rattling on the cobblestones, were singing, too, strange wordless songs without tune, songs neither French nor Italian, but with a wild eastern lilt leaping out of their monotony, reminiscent of the days when Saracens ruled the coast. Some faces, too, were like the faces of eastern men, high featured, with enormous, flashing eyes. Here and there was one of a bold yet dreamy, gray-eyed, brown-haired type Vanno had not met before in any of his travels. He remembered that this country had belonged to the Ligurians before his ancestors, the Romans, took it after two hundred years' hard fighting: and types are persistent. He had heard that there were ruined Ligurian forts to be traced still, among the higher hills and mountains; and the monument of La Turbie, whither he was bound, was Augustus Cæsar's emblem of triumph over the Ligurian tribes.
The funicular was not running at this hour, and the white lacings of the Upper Corniche were empty save for a cart or two, bringing down loads of wallflower-tinted stone from some mountain quarry, for the building of a villa. Vanno had easily found his way on to a mule path, rough yet well kept, and ancient perhaps as the hidden Ligurian forts. Round him was the gray-green shimmer of olive trees, and their old, thick roots that crawled and climbed the rocks were like knotted snakes asleep. Bands of pines marched and mourned along the skyline, and in the midst of glittering laurels cypress trees stood up straight and black as burnt-out torches.
Clouds that had darkened the east when Vanno started veiled the sun now, like lazy eyelids. The gay glitter was gone from the world, and the sea was of a dull velvety gray, dappled with silver-gleams that sifted through holes in the clouds, making the water look like scales on a fish's back. Far below lay the strip of frivolous fairyland, all that most strangers know of the Riviera: the pleasure towns with their palms and tropical flowers, the decorated villas, to live in which Vanno thought would be like living in hollowed-out birthday cakes. And the soft, thoughtful grayness which was dimming the sunshine suited this different, higher world as well as it suited his mood. The loveliness of trees, and the pale splendour of mountain peaks carved in bas-relief against the pearl-gray sky, rang out to his soul like a chime of bells from a cathedral tower, giving him back the mastery of himself. It was good to be here, where there were no sounds except the voice of Nature, singing her eternal song, in the universal language, and where the life of man seemed as distant as the far-down windows that glittered mysteriously out of shadows, as the eyes of a cat glitter at night.
Inarticulate, enchanting whispers of the love and joy which have been in the world and may be again floated up to Vanno's imagination like the chanting of mermaids heard under the sea. He felt that, if he should meet his Giulietta now, he would believe in her, and his belief would make her worthy of itself, if she were not already worthy. "May the wings of our souls never fail us," he said aloud, as if it were a prayer.
Almost before the time when Vanno Della Robbia had known words enough to clothe his most childish thoughts, he had possessed an unknown land, a kingdom and a castle of his own more beautiful than sunset clouds. To this land he always travelled when he was alone, and often at night in dreams. It had been around him in the desert where his errand had been to study the eastern stars; and the observatory at Monte Della Robbia, built with money left him by his mother, was one gateway to that land. When he was in this secret kingdom he was brother to the stars. All knowledge came echoing through his soul, as if whispered to him by past selves, other incarnations of himself, who had gleaned it in their lives, from days when the world was young. He had a thousand souls, which had known great sorrows and joys and adventures. His blood seemed to smoke gold, like spray on rushing surf in sunshine. Never had he admitted any one he had known (except the people his own mind created for inhabitants of that kingdom) into his land; but now the girl whose name he scarcely knew stood at the door of the castle, asking to come in, saying with her eyes, which he had likened to stars, that she was the princess who had a right to live there. Hers was the face of his dream. She was the song of the mermaids. The voice he had heard—would always hear in the sea—spoke of her. She was the light of the morning. Hers the face in the sunrise, and the twilight. If he lost her, still her spirit would haunt him, in music, in all beauty, for she was the one woman, the ideal which is the heart of a man's heart. She must be worthy, because there was no other princess for this kingdom of his, east of the sun and west of the moon; and without her the rooms of the castle would hold only echoes.
Vanno would have died rather than speak out such thoughts to any one on earth, for they were the property of that self which his brother Angelo said was at war with the other self, the self which the world knew.
Now and then, as he walked up the mule path with a step which became lighter with the lightness of the air, he threw a word in Italian to a passing peasant, some Ligurian-looking man who drove a bright-coloured market garden ending in a donkey's head and tail. Eyes and teeth flashed comprehension, but the answer was in a queer patois, a hotch-potch of Latin, Italian, French, and Arabic.
On the top of the mountain Vanno breakfasted, at a pink hotel fantastically built in hybrid Moorish style. From his window-table he could see the Tour de Supplice on a height below; a broken column of stone said to mark the place where Romans tortured and executed their prisoners. Far beneath lay the Rock of Hercules and Monte Carlo, the four unequal horns of the great white animal springing saliently to the eye even at this height. To the right, the great iron-gray bulk of the Tête de Chien hid the promontories which, like immense prehistoric reptiles, swam out to sea beyond Beaulieu; but to the left were the mountains of Italy, their highest ridges marbled with dazzling snow; and Cap Martin's green length was frilled with silver ripples.