Angela hoped that her laugh was not cattish. "But I'm imported, too," she said. "Shall I jar on you at San Miguel?"
"You're not imported!" Nick dared to contradict her. "Or, if you are, you're the kind there oughtn't to be any duty on."
A rain of sunset colour poured over mountains, hills, and meadows as Nick turned his car toward San Miguel. When they came in sight of the old Mission (built far from the Springs because of hostile Indians), the changing lights were like an illuminated fountain. At last, when they began to fade, Angela said, "Let us go. If we stay longer we shan't remember this at its best."
She would have been surprised if she had known what happiness there was for Nick in the word "we," spoken as she often spoke it now: "We" must do this; "We" mustn't forget that.
But it was a blow when she asked Billy, the chauffeur, if he would like to see the Mission. "Nothing can hurt the car," she said; "and when we come back it will be too late."
Nick was tempted to glare a warning and suppress the youth's interest in objects of historical value: but he refrained. Billy must not get it into his head that there was "anything going on." So the chauffeur was allowed to follow Nick and Angela as they wandered, so it seemed to him, sentimentally about the big Mission enclosure, between crumbling adobe walls where the Franciscan Fathers had sheltered cattle in nights of peace, and Indians in nights of danger. Billy could not feel the pathos of the place—desolate, yet impressive in its simplicity; but as he sauntered about, his hands in his pockets, whistling beneath his breath, "I can't marry you!" his smart little modern mind began to work. The strategic value of the position appealed to him, and he saw why "those old Johnnies," as he irreverently styled the Padres, had planted the Mission here. "Guess they knew their business 'most as well as if they'd been soldiers," he said to himself.
Billy found pleasure in picturing the massacres which must have taken place, imagining the great doors of the enclosure opened hastily to let in an escaping band of "friendlies"; then the bursting in of the enemy, and the death of the Fathers as they tried to protect their Indian children. Many had died by fire and tomahawk, but always others had come to take their place; and so the work had gone on through time, even as the bell-signals had gone on sounding from Mission to Mission along El Camino Reale, the highway of the Padres.
"One Father lives here; a dear old gentleman," said Nick. "I met him once, but he mayn't remember me. I'll knock at his door to ask for the key of the church. Somehow I think you're going to like it better than the church of Santa Barbara. There's something special about this place, I hardly know what, but you'll know. And they've got some vestments they're proud of—made by Queen Isabella the Catholic and her ladies."
It rather surprised Angela to hear Nick speak of "Isabella the Catholic," for this way of naming the Queen showed knowledge of history; and Angela had not yet discovered that history was Nick's favourite reading. Indeed, she was only beginning to learn a few things about him. At first her whole rather patronizing idea of the young man had been that he was an "interesting type," a "picturesque figure." Then, when she heard him talk with Falconer, and Falconer talk of him and of what he had done, she saw that Hilliard was already a man of importance in his State: that the "picturesque figure" was merely the woman's point of view. She was ceasing to patronize him mentally now, and almost every hour he gave her some surprise.
At a closed door in the white, deserted cloisters, Hilliard knocked, but there was no answer. His face clouded, for he had set his heart on showing Mrs. May this Mission church.