"Angela was enchanted with the peninsula of Monterey"
After all it did not seem so romantic to have a place where she could go and look at some seals, alone. Stupid! Because she had come to California on purpose to have a place where she could be alone.
"How absurd women, are!" she thought, irritably. "As soon as we can have what we want, we don't want it. I suppose it must be that. Now I long for all kinds of new things I can't possibly have, which would be very bad for me if I could."
After lunching at the wonderful Club House built of logs, they went back by way of Monterey, and in the sleepy old town which holds more California history than any other they wandered about, "seeing the sights," one after another. They paid their respects to the monument of Father Juniperra Serra, who landed at Monterey with his soldiers a hundred and forty years ago—a long time in America, where life moves quickly. Then, next in interest, came the verandaed Custom House, built under Spanish rule, and looking just the place to spend a lazy afternoon in gossiping about lovely ladies, and pretending to do important business for the Crown. There was the oldest Court-house in California, too, and the oldest brick house, and the oldest frame building—"brought round the Horn"; the oldest theatre, glorified by Jenny Lind's singing; and, indeed, all the oldest old things to be found anywhere in history or romance. But, though Angela dared not say so, she wondered what had become of the really old things, new in the beginning of the seventeenth century when Don Sebastian Viscanio landed to name the town—in honour of Philip the Third—Monterey or "King of the Mountains."
That night they all walked together under the great trees of the park at Del Monte. A lake (where black swans threaded their way like dark spirits among white water-lilies) drank the last light of day, and little waves the swans made were ruffled with dim silver. Above, the sky was another deep blue lake lilied with stars; and as darkness fell, hot and sweet-scented as the veil of an Eastern woman, slowly the boundaries were lost between forest and garden. Outlines faded and blended into one another. The fuchsias, big as babies' fists, the poppies like dolls' crêpe sunbonnets, the roses large enough for nightingales' nests, lost their colour, and seemed to go out in the dark, like brilliant bubbles that break into nothingness. Here and there yellow light flashed near the ground, far from the walkers, as if a faint firefly were astray in a tangle of flowers. Chinese gardeners, deft and mysterious as brownies, were working at night to change the arrangement of flower-beds so that the dwellers in the hotel should have a surprise by day.
Theo Dene talked of Carmen Gaylor, telling stories she had heard of the rich widow from people whose acquaintance she had first made at Del Monte. "I am longing to meet the woman," she said; "I think she must be an interesting character, typically Spanish, or Mexican—or, anyhow, not American—from what they all say. A beauty—vain and jealous, and a fearful temper. I shouldn't like to interfere with a woman of that sort in what she thought her 'rights,' should you?"
