We passed into the defile, and the motor car was out of sight long ago. Higher and higher the brown road climbed. The mountains towered close and tall. Great pillared palaces of rock loomed against the sky like castles in the air, incalculably far above the green heads and sloping shoulders of the nearer mountain slopes.
I had thought that green was never so green as in the Valley of Aosta, but here in St. Bruno's corridor there was a new richness of emerald in the green carpet and wall hangings, such as I had not yet known. It was green stamped with living gold, in delicate fleur-de-lis patterns where the sun wove bright threads; and high above was the ceiling of lapis lazuli, in pure unclouded blue.
We heard no sound save the voices of unseen woodcutters crying to each other from mountain slope to mountain slope, the resonant ring of their axes, striking out wild, echoing notes with a fleeting clang of steel on pine, and now and again the sudden thunder-crash of a falling tree, like the roar of a distant avalanche.
By-and-bye we came to the aërial bridge which spans the Guiers Mort, slender and graceful as the arch of a rainbow, and as we gazed down at the far, white water hurling itself in sheets of foam past the detaining rocks, the sharp toot of a horn broke discordantly into the deep-toned music. A motor car sprang round an abrupt curve and flashed by, but not so quickly that I did not recognise among the six occupants the two young Americans of Mont Revard. They passed me as unseeingly as they did the scenery: for they were talking as fast to two pretty girls opposite them in the tonneau, as if the girls had not been talking equally fast to them at the same time. I bore the pair a grudge, and the sight of them brought back the consciousness of my injury.
St. Bruno, fortunate in many ways, was a lucky saint to have so beautiful a bridge named after him. And as we climbed the brown road—moist with tears wept by the mountains for the banished monks—it seemed to us that the scenery was always leading up to him, as a preface leads up to the first chapter of a book. We went through tunnels as a thread goes through the eye of a needle; we wound round intricate turns of the road; we came upon pinnacle rocks; and then, at last, when we least expected the climax of our journey, we dropped into a great green basin, rimmed with soaring crags. In the midst stood an enormous building, a vast conglomeration of pointed, dove-grey roofs and dun-coloured walls, a city of slate and stone spread over acres of ground and seeming a part of the impressive yet strangely peaceful wilderness.
Looking at the vast structure, I was ready to believe that St. Bruno had waved his staff in the shadow of a rough-hewn mountain, saying: "Let there be a monastery," and suddenly, there was a monastery; but our motor, quivering with nervous energy before a door in the high wall, snatched me back to practicalities.
Molly, leaning quietly back in the tonneau beside the Perpetual Mushroom, saw us coming from afar off, and waved a hand of absurd American smallness. By the time we were within speaking distance, she was out of the car and coming toward us.
"We were so hungry, that we lunched while we waited," she explained, "so now you and Jack can go to the hôtellerie and have something quickly. We'll walk in the woods until you come back, and then, as Mercédès doesn't seem to mind, we'll all go into the monastery together."
It was not until the door of the Grande Chartreuse had opened to receive us, and closed again behind our backs, shutting us into a large empty quadrangle, that the Spirit of the place took us by the hand.
Over the steep grey roofs (pointed like monkish hands with finger-tips joined in prayer) we gazed up at mountain peaks, grey and green, and pointing also to a heaven which seemed strangely near.