When the girl had switched on the lights of the two-branched chandelier over the dining table she beckoned to her companion, who noiselessly followed her from the dark corridor into the room. There, with one sweeping glance at the dull red walls, the oil-painted landscapes in sprawling gilt frames, the heavy plush curtains, the furniture with its "saddle-bag" upholstery, the common Turkish carpet, and the mantel mirror with tasteless, tasselled draperies, "Nelson Smith" seemed to comprehend the deadly "stuffiness" of Annesley Grayle's existence.

The look of Mrs. Ellsworth's middle-class dining room, and the atmosphere whence oxygen had been excluded, were enough to tell him, if he had not realized already, why the lady's companion had gone out to meet a strange man "with a view to marriage."

To Annesley, however, for the first time, this room was neither hideous nor depressing. It seemed years since she had seen it. She was a different girl from the spiritless slave who had crept out after luncheon, in the wake of her mistress: that short, shapeless form with a large head set on a short neck, and a trailing, old-fashioned dress of black.

Now, with a man holding her hands and calling her an angel—a "dear, brave angel!"—it looked to the girl a beautiful room. There was glamour upon it, and upon the rest of the world. Surely life could never seem commonplace again!

"Ssh!" Annesley whispered. "We mustn't wake Mrs. Ellsworth, or she'll run to the front door in her dressing gown and call 'Police!' She's old, but her ears are sharp as a cat's. She can almost hear one thinking. But I'm glad she can't quite. How frightful if she could!"

"Nothing about her need be frightful to you any more," said the man. "You have saved me. Soon it will be my turn to rescue you."

"I haven't saved you yet," the girl reminded him. "They are sure to be waiting to see whether you come out. But I've thought of one more thing to make them believe that you live here. I can steal softly upstairs to the front room on the second floor, above the drawing room—the one we call 'Mr. Smith's'—to turn on the lights, and then those hateful creatures will think——". She hesitated, and the colour sprang to her cheeks.

"That Mr. and Mrs. Nelson Smith have gone to their room," the man finished her sentence. His eyes beamed love and gratitude, a glorious reward. "You're wonderful! You forget nothing that can help. Do you know, your trust, your faith in me, in spite of appearances, are the best things that have come into my life? You call those fellows 'hateful creatures,' because they're my enemies. Yet, for all you know, they may be injured innocents and I the 'hateful' one. This may be my way of getting into a rich old woman's house to steal her jewels and money—making you a cat's paw."

"Don't!" Annesley cut him short. "I can't bear to hear you say such things. I trust you because—surely a woman can tell by instinct which men to trust. I don't need proof."

"By Jove!" he exclaimed, his eyes fixed upon her face. "You are the kind of girl whose faith could turn Lucifer back from devil into archangel. I—you're a million times too good for me. I didn't even want to meet a white saint like you. But now I have met you, nothing on earth is going to make me give you up, if you'll stand by me. I'm unworthy, and I don't expect to be much better. But there's one thing: I can give you a gayer life than here. Perhaps I can even make you happy, if you don't ask for a saint to match yourself. You shall have my love and worship, and I'll be true as steel——"