My fame had spread in my absence, and on my return I found my table covered with cards and invitations—the most conspicuous being from General Macfarlane and Lord Montgomery.

The palaces of the Sicilian nobles are exasperatingly pretentious and tasteless; that of Palagonia is an unforgetable nightmare.

Though a paradise compared with Greece, I find Sicily seething with discontent; and were it not for Lord W. Bentinck, to whom the people look up as the only honest man amongst the authorities, there would be an insurrection.

Ten days later I set out on horseback for Girgenti. On the second day I turned aside from Villa Fraté to visit one of the Greek villages so much talked of and so misrepresented. In Palermo I was told that the villagers are some of the ancient Greek settlers, who remain so unchanged that they still wear sandals and are almost pagans. In reality they are Albanians, who emigrated in the sixteenth century when the oppression of the Turks was specially severe in their country, and came in bands to various points of Sicily. Mezzojuso is one of their settlements, and has about 2,000 inhabitants. The situation, about two miles off the road from Villa Fraté to Alcara, is on the side of a mountain and very beautiful. I met some goodhumoured peasants who were ready to tell me all they knew. They talk Albanian amongst themselves, and they readily understood the few words of it which I and my servant could speak. The explanation of the report of their being almost pagans is that they retain the Greek ritual, although they have changed the altar to the Catholic form and acknowledge the supremacy of the Pope. Over the altar is a Greek inscription, which I read, to the surprise of those who attended me. The priests preserve the Greek costume, the bead cap, hair, &c. St. Nicolas, the Greek saint par excellence, is a conspicuous figure in the Church. What a pity I had not with me a little of the earth I took from the shrine of the saint at Myra in Asia Minor! It would have been an acceptable present to the priest. I saw none of the women, but I was told they wear a peculiar costume; and at their communion, instead of the host, as in Roman Catholic churches, a piece of cloth is held up.

Started for the temples of Selinunto, accompanied by Don Ignazio, the son of my host, Don Gaetano. We took the road towards the sea, and passing through Siciliana and turning inland came in the evening to Cattolica. Here we added to our party a most entertaining companion, Don Raffaelle Politi, a painter, not very excellent in his art, though one of the best in Sicily, but full of talents and of humour. He was staying at the time in the house of a certain marquis, for whom he had been painting two ceilings. We went to see him there, and found him with the marchese, sitting over a greasy table surrounded by a company of nasty fellows, such as in England one might see in a shopkeeper's parlour. No sort of civility or hospitality was shown us. On the other hand, a friend and equal of Don Raffaelle's received us very kindly. He and a company of tradesmen who had come over to a fair which was being held in Cattolica, and had of course brought their guitars with them, entertained us before supper in the locanda.

Next day we passed by the ancient city of Heraclia, of which, however, there are very trifling remains, to Sciacca, where in the market-place we saw dead meat—meat of animals that had died of disease owing to the great drought this year, which has killed a great many cattle—being sold to the poor at a cheap rate. Travelling with Sicilians I fell into their customs, and instead of looking out for an hotel I went with them into a café where we ate and drank. The cafetiere, to show his liberality, in pouring out lets the cup overflow until the saucer also is full, after which he brings spirits and cigars—all customs new to me. Arrived in a storm at Montefeice, wet through. My friends slept on a mattress, and I, who was accustomed to it, slept on the floor.

Nothing can be more solemn than the magnificent remains of the three temples of Selinus, but I had not many hours to study them. It is clear that earthquake was the cause of their destruction, and I guess from the difference in preservation between the parts which fell and were covered and protected, and the condition of those which remain standing, that it may have occurred about the eighth or ninth century. We went over twice from Montefeice, each time returning in the evening; and when we got home, how differently we spent our evenings from the ordinary way Englishmen do! Had they been my companions we should have cursed the fare and lodging, and should have laid ourselves down grumbling to pass a tedious and uncomfortable night. Instead of that, with these Sicilians, as soon as the demands of hunger were satisfied, at the sound of a guitar in the streets, we sallied out and joined the serenaders, stopped under the windows of some fair one we did not know, and Don Raffaelle, who is a perfect master of the guitar and ravished the bystanders, played and sang with much taste a number of exceedingly pretty melodies. If this was not enough for the evening, we sat and told stories.

At Cattolica we arrived so late that every inch of the locanda was occupied. We did not care to disturb our friend of the previous occasion, Don Giuseppe, and the marchese's hospitality had been so grudgingly offered that we were too proud to accept it, and so we sought consolation by going about the streets with a guitar till we were tired of it, and then taking horse again; but before going far we were so weary that we got off under a tree, sat down, and waited for dawn to light us back to Girgenti.

After my return to Girgenti, I remained there till the 14th of November, applying myself with close attention and infinite pleasure to attempting to reconstruct the Temple of Jupiter Olympius. The examination of the stones and the continual exercise of ingenuity kept me very busy, and at the end the successful restoration of the temple gave me a pleasure which was only to be surpassed by that of originally conceiving the design.