The pillars, I should observe, are perfectly plain; and, though methodically arranged, yet, from being disposed in corresponding groups of two, three, and four, produce a very bizarre effect.
In the centre of the court is a handsome fountain. The basin, into which the water rises, is of oriental alabaster, as are also the twelve animals that support it on their backs, and which, by some strange zoological blunder, have been called lions, for panthers would be more proper. The reservoir that receives the stream they disgorge is of black marble.
It is not improbable that, on the decadence of Cordoba, this fountain was brought from the famous palace of Zehra, built by the Kaliph Abdalrahman III. as a country retreat for his favourite sultana; which, embellished, according to common report, with the works of Grecian artists, is said to have contained numerous sculptured animals; and, amongst others, some golden (meaning probably gilt) lions, that spouted water into a basin of alabaster, are particularly mentioned by Moorish historians.
On the north side of the Court of the Lions is the Hall of the Two Sisters; so called from two large slabs of delicately white marble that occupy the centre of its floor. This apartment looks upon the fountain in the centre of the court, and directly facing it, on the south side, is the Hall of the Abencerrages, to which the legend of the cruel massacre of the chieftains of that noble race has given a mournful interest. If the tale be true, (and from the distracted state of Granada under its two last kings there is every reason to believe it is) there can be little reason to doubt that the stains, yet visible in the white marble pavement, were occasioned by the blood of Boabdil’s unfortunate victims.
On the same side the Court of the Lions as the Hall of the Abencerrages is a small apartment, wherein, in former days, the Moslem sovereigns sought the Kiblah,[139] and made their private prostrations. It was the burial place of Ishmael Farady, fifth king of Granada, one of the most enterprising monarchs that occupied the throne, but whose voluptuous excesses led to his assassination, A.D. 1322.
The Hall of Judgment is situated at the upper end of the court, and at the eastern extremity of the palace.
All these apartments are almost equally beautiful, though differing from each other in size, shape, and every part of their elaborate decorations. If any one can claim pre-eminence over the others, it is the Hall of the Two Sisters, the ceiling of which is composed of delicate stalactites in stucco, and the colouring and gilding are perhaps fresher and more gaudy. The windows in the back, or north, wall of this apartment look upon the garden of Lindaraja, which is now laid out with some little taste and care.
From this garden, or, by retracing our steps through the baths, we gain a small and exquisitely finished apartment, upon which the Spaniards have bestowed the name of El Tocador, or Dressing Room of the Sultana. It is situated in a kind of tower, or buttress, that projects beyond the walls of the fortress, and commands a lovely view in every direction. The mosaic pavement of this little room is of extreme beauty.
The situation of the Hall of the Ambassadors, or “Golden Saloon,” to which we will now proceed, has already been described. It is a square of 36 feet, and occupies the whole space enclosed by the walls of the tower of Comares which are of extraordinary thickness. The height of this apartment is 60 feet, and its ceiling, vaulted in a singularly graceful manner, is inlaid with a mosaic of mother of pearl.
This hall is certainly the pride of the Alhambra. Its proportions are more just, its stuccoed walls more highly finished, and the colouring and gilding of its ornaments more brilliant, than those of any of the other apartments. The tower in which it is situated projects far beyond the curtain wall of the fortress; so that, whilst it looks into the refreshing court of the Alberca on one side, from windows in the other three, it commands extensive views over the city, and the dark valley of the Darro. It is the only one of the principal apartments of the palace that possesses this advantage, and it was therefore peculiarly well adapted to the purpose of a hall of audience; since, the wide circumvallated city spread out below, the fertile plain over which, as far as the eye can range, it commands a view, and the fearful height of the massive walls, upon which its casements look down, could not but impress visitors with a sense of the wealth and power of the ruler of this fair realm, and of the strength of his proud mountain citadel. The windows too of this audience hall, elevated some hundreds of feet above the rocky banks of the Darro, afforded every facility for disposing—after the wonted manner of the Mohammedans—of any contumacious heir presumptive, or other troublesome friend or relative, whose journey to paradise might require hastening.