The Boy's Own Book of Indoor Games and Recreations / A Popular Encyclopædia for Boys

by C. Stansfeld Hicks; John Nevil Maskelyne; Gordon Stables

Fig. 3.

Cut three pieces of common glass into the shape here given. Let them be seven and a half inches long, one inch and five-eighths wide at A, and one inch wide at B ([Fig. 2]). If they are silvered on the back so much the better; if they are not, paint them black on one side. A very good black paint for the purpose is made by mixing vegetable black with gold size until it is as thick as cream. Seven-pennyworth of gold size and a pennyworth of vegetable black, obtained from the nearest oil-shop, will give you enough paint for a dozen kaleidoscopes, and be useful for other purposes into the bargain. The three mirrors are to be arranged in a tube, with their blackened sides outwards (see [Fig. 3]); and the tube is to be made accordingly. An old copy-book cover can be rolled into the shape, or a well-pasted strip of newspaper rolled round and round on a stick, as described in the chapter on the telescope, will give the tube with very little trouble. To fit the mirrors we have cut the tube should be eight and a quarter inches long, two inches in diameter at the broad end, and one inch and an eighth in diameter at the narrow. Of course the tube is not absolutely necessary; a square box two inches wide and eight inches and a quarter long will answer every purpose, but then the mirrors, instead of being kept in position by the sides of the case, will have to be wedged up by pieces of cork or balls of paper.

Fig. 4.

Having made the case, fix an eyepiece of tin or cardboard at one end, so that a hole a quarter of an inch in diameter comes in the centre of the angle made by the mirrors. This hole is shown in position in [Fig. 4], which represents the top of the tube or box.

At the other end of the tube a round piece of clear glass is to be fixed, and if the box is used a square piece will take its place. The round can be easily made from the square by chipping off the corners. An American glass-cutter, costing sixpence, can be obtained from most tool-shops, which will be found very useful in cutting glass for this and many other purposes. The secret in working wheel glass-cutters of all kinds is to keep the handle as nearly upright as possible and to bear firmly and equally on all parts of the work.

Having cut the plain glass end and fitted it close up against the broad end of the mirrors, the next thing is to cut a piece of ground-glass of the same size to fit over it. This ground-glass may be patterned, as in the kaleidoscopes of commerce. It is, however, more satisfactory to have it plain. Between the glasses you place the pieces of broken glass to form the designs.

‘The objects which give the finest outlines by inversion are those which have a curvilinear form, such as circles, ellipses, looped curves like the figure 8, curves like the figure 3 and the letter S; spirals and other forms, such as squares, rectangles, and triangles, may be applied with advantage. Glass, both spun and twisted, and of all colours and shades of colours, should be formed into the preceding shapes; and when these are mixed with pieces of flat coloured glass, blue vitriol, native sulphur, yellow ochre, and differently coloured fluids, enclosed and moving in small vessels of glass, they will make the finest transparent objects for the kaleidoscope. When the objects are to be laid upon a mirror plate, fragments of opaquely-coloured glass should be added to the transparent fragments, along with pieces of brass wire, of coloured foils, and grains of spelter. In selecting transparent objects, the greatest care must be taken to reject fragments of opaque glass, and dark colours that do not transmit much light; and all the pieces of spun glass, or coloured plates, should be as thin as possible.’

As far as the harmony of colour is concerned, it may be as well to note that the deepest red harmonises with an equal mixture of blue and green; that red goes best with green and blue, the blue being predominant; that orange-red requires a blue with a good deal of indigo; that orange-yellow wants pure indigo; that light yellow is best with violet and indigo half and half; that greenish-yellow shows off best by the side of pale violet; that green goes with a full violet; that greenish-blue combines with violet and red; blue with orange and red; indigo with orange-yellow; and violet with green.