The amateur can imitate the Russian work, but never the work of the skilled spinner. There are several grades of spinners, most of them never attaining the skill of the model-maker or the facility for handling the different metals. A man that has had several years of experience spinning brass or copper would not be able to spin britannia or white metal without stretching it to a very uneven thickness. As brass or copper is harder than the other metals mentioned, they resist the tool more and require more pressure in forming, and if the operator used the same pressure on the softer metals, he would stretch or distort them, so that they would be perhaps one-quarter of the original thickness at angles and corners where the strain in spinning would be greatest, which would ruin the articles. The best test for skill in ordinary spinning, is to take a long difficult shape, after being finished, and saw it in two lengthwise, and if the variation in thickness is less than 25 per cent of the original gage, it is good practice. Some spinners can keep within 10 per cent of the gage on ordinary work, but they are scarce.
The spinning trade in this country is mostly followed by foreigners, Germans and Swedes being the best. The American that has intelligence and skill enough to be a first-class spinner, will generally look around for something easier about the time that he has the trade acquired. It is an occupation that cannot be followed up in old age, as it is too strenuous, the operator being on his feet constantly, and having to use his head as well as his muscles.
General Remarks on Metal Spinning Chucks
For common plain shapes, a patternmaker’s faceplate, with a tapered center screw, is sufficient for holding the wood chuck. The hole in the wood should be the same taper as the screw, thus giving an even grip on the thread. If a straight hole only is used, and it is not reamed out before screwing to the plate, it will only have a bearing on one or two threads, and if the chuck is taken off and replaced on the faceplate, it will not run true. Care should also be taken to face off the end of the chuck flat, or to slightly recess it, so that it will screw up evenly against the faceplate, as a high center will cause it to rock and run out of true.
In large chucks (over five inches) it is best to have three or four wood screws, besides the center screw. The holes for these can be spaced off accurately on a circle in the iron faceplate, and drilled and countersunk. It is best to have twice as many holes as screws; that is, if four screws are used there should be eight holes, so that if the chuck has to be replaced at any time and the wood has shrunk, it can be turned one-eighth of a revolution further than the original chucking.
Where a chuck has to be used several times, it is better practice to cut a thread in the wood and screw the chuck directly to the spindle of a lathe, not using the faceplate. This thread can be chased with a regular chasing tool, where the operator has the skill, or if not, the wood can be bored out and a special wood tap used. Such a tap has no flutes and it is bored hollow, there being a wall about ³/₁₆ inch thick. One tooth does all the cutting, that is the one at the end of the thread. The chips go into the hollow part of the tap. The end of the tap for about ¼ inch should have the same diameter as the hole before threading to act as guide for the cutting tooth.
It is essential that a chuck should run very true and be balanced perfectly, as the high speed at which it runs will cause it to vibrate and run out of true, causing the finished metal to show chatter marks. The best wood for chucks is hard maple, and it should be selected for its even grain and absence of checks and cracks. It is best to paint the ends with paraffine or red lead, or to immerse the chucks in some vegetable oil after turning. Cottonseed oil is very good for this purpose, but care should be taken not to soak the chucks too long.
For a man not skilled in spinning, it is better to use metal chucks than wood, for if there are many shells of a kind, the operator is liable to bear too hard on the tool, thus compressing the chuck and making the last shells smaller than the first. Corners and angles not well supported might also be knocked off. The writer prefers cold rolled steel for chucks up to 6 inches in diameter and cast iron for the larger ones, but where good steel castings can be obtained, a good chuck can be made by turning roughly to shape a wood pattern, allowing enough for shrinkage and finishing, and hollowing out the back to lighten it. When the chuck is finished all over in the lathe, it should balance much better than a cast iron one, as there are not the chances of having blow holes in the iron, thus throwing the chuck out of balance.
Annealing
The distance that metal can be drawn without annealing, can only be learned by experience. A flat blank rotated in the lathe, being soft, will offer little resistance and it can be gradually drawn down by a tool held under the chuck and against the blank. This tool is pushed from the center outward and forward at the same time, and every time it passes over the blank or disk the metal becomes harder by friction, and the change of formation and the resistance at the point of the tool greater. This can be felt as the tool is under the operator’s arm. When the spring of the metal is such that the tool does not gain any, but only hardens the metal, the shell should be taken off and annealed. If the metal has been under a severe strain, it should be hammered on the horn of an anvil or any metal piece that will support the inside. The hammer should be a wood or rawhide mallet, but never metal, the object being to put dents or flutes in the metal to relieve the strain when heating for annealing; if this is not done the shell will crack.