[2] The hanging committee of the Salon is called a "jury."—TRANS.
[II]
RODIN'S STUDIO—HIS WORKS FROM 1880 TO 1889—"EVE"; SOME BUSTS; THE MONUMENT TO VICTOR HUGO—"THE GATE OF HELL"—"THE DANAID"—THE "THOUGHT"—THE EXHIBITION OF CLAUDE MONET AND RODIN, IN 1889—THE MONUMENT TO CLAUDE LORRAINE AT NANCY (1892)—"THE BURGHERS OF CALAIS" (1888-1895)
Rodin's previous works, from 1881 to 1889, had been produced in modest abodes in the Rue des Fourneaux and the Boulevard de Vaugirard, and later, in a little studio, granted by the Government, at the Dépôt des Marbres, in the Rue de l'Université, where a certain number of studios are given to sculptors. From 1889 onwards the Government granted Rodin two larger studios there, which he still occupies. At a later date he also had, at his own expense, a studio in an odd corner of the Boulevard d'Italie, at a place called the Clos Payen, besides a house at Sèvres, and eventually one at Meudon, in which he still lives and of which I shall speak again. Among these were distributed his studies and his finished works: The Gate of Hell was sketched in at the Rue de l'Université, and there, too, Rodin's assistants are at work upon his present groups.
