I come now to the mention of some significant writings that deal with his aesthetic theory or with his work; and, as may be supposed, I leave out of question a quantity of valueless articles, for Rodin has been directly or indirectly the pretext for a great mass of writings, and is the modern French artist who has been most talked of, justly or unjustly. The works quoted are such as may be consulted with advantage.
[1] To these may be added, in 1905, a bust of the Rt. Hon. George Wyndham, and The Hand of God.
ARTICLES OR BOOKS RELATING TO RODIN
"Balzac and Rodin," by Roger Marx (Le Voltaire, March, 1892).
"Claude Lorraine," by Roger Marx (Le Voltaire, June, 1892). (Excellent studies in the criticism of sculpture.)
"Auguste Rodin," by Roger Marx (Pan, and The Image, September, 1897).
Drawings by Rodin, 129 plates, containing 142 heliogravures (Goupil and Co., 1897), from the suggestions and loans of M. Fenaille.
"Rodin's Studio," by Edouard Rod (Gazette des Beaux Arts, May, 1898).