“He’s a bad egg,” was the comment of Tim Flannigan, the engineer of the dinky that pulled the rock cars from the quarry to the crusher. “He’s all the time startin’ somethin’ down to the Townsite. He’s got a game cock that nobody kin lick, and the marshal has had him up several times for gambling. Tried to run him out of camp a bit back but such a gang of Greasers threatened to leave with him that Boss Adams, who was here before Boss Whitney came, told the marshal to keep a close eye on him and let it go at that.”
This information was valuable to Bob, especially the part about the other Mexicans leaving if Miguel went. From this it was clear to see that the man had influence among his countrymen and probably was just the person to start trouble, if trouble was coming.
That night, in accordance with his plan to try to get as much as he could of the general atmosphere of the situation, Bob decided to go down to the lower camp. On the highest ground were the mechanics’ houses, and from them, sloping to the river bank, were the bunk houses and shacks of the Mexican laborers. At one side, a little apart, was the camp of the Indians who, aside from the Mexicans, were practically the only laborers to be had in that section of the country. Of course, they were far less in number than the Mexicans. The street on which the motion picture theatre and the stores were located, was well lighted by the power plant and had been dubbed “Broadway.”
Bob mingled with the crowd and finally drifted into the moving picture show. His mind was busy with his problem and he did not pay as much attention as usual to the scenes that were flashed before him on the screen. He became aware, however, even in the dim light, that directly in front of him sat an Indian, seemingly alone. A little to the left were a crowd of Mexicans, who, from their boisterous behavior, seemed to have been able to smuggle some whiskey into the camp, which, of course, was absolutely forbidden on a Government job.
By some chance the next picture was a lurid western romance in which Indians and cowboys were all jumbled together with furious riding and rescues of the beautiful heroine. Of course, the Indians in the picture were the villains. As the film unfolded the Mexicans grew more excited over the story and Bob noticed that they began to throw slighting remarks towards the Indian sitting directly in front of him.
Finally something was said which was more than the redman could stand. He got up and in a dignified manner moved to the spot where his tormentors were sitting. He spoke to them in Spanish.
A moment later the place was in an uproar. Fired by bad whiskey and the knowledge that numbers were with them, the bunch of Mexicans had jumped for the solitary figure.
Bob was on his feet in an instant and sprang for a Mexican who had slipped into the aisle and was coming upon the Indian from behind. In the dim light everything was confused, but Bob’s fist found its mark and the man fell. The Indian was holding his own valiantly but Bob’s help had come at the right moment. Together they backed towards the door, fighting as they went. Then the lights went up and the Mexicans, fearing the consequences of their action, slipped into the nearest seats, hoping to escape notice.
When the fight ended in this fashion, the Indian drew himself up to his full height and with a scornful look on his face turned and walked out of the theatre. Bob followed and on the street found the man he had helped waiting for him.
As he came up the Indian held out his hand and said gravely, “Feather-in-the-Wind thanks you.” Without further word he marched off.