Fourth stage ([pl. 32], d); the two triangles (areas I and II) are filled with black pigment. Sometimes area I is filled first, sometimes area II.
Fifth stage ([pl. 32], e); when the triangles in all five panels have been filled, the dots are placed in two of the five plumes in each panel (areas III and IV). These dots are sometimes six in number, sometimes seven. They are painted from the base of the plume upwards.
Sixth stage ([pl. 32], b); areas V to VII are filled with red pigment, thus completing the panel-design.
Seventh stage ([pl. 32], g); now that the design in the panel has been finished, the second half of the figure, that below the bottom enclosing line, is begun. A series of small semicircles (lines numbered 21) are appended to the lowest enclosing line. The position of the semicircles bears no relation whatever to the series of panels. Three and a half to four semicircles fall below each panel or a total of from seventeen to twenty in the entire extent of the design as it encircles the vessel.
Eighth stage ([pl. 32]. g); by means of lines 22 and 23, a triangle is outlined below each of the semicircles.
Ninth stage ([pl. 32], h); a very small semicircle (24) is drawn just below the point of each triangle.
Tenth stage ([pl. 32], h); another similar semicircle (line 25) is drawn just below line 24.
Eleventh stage ([pl. 32], i); the triangles (areas numbered VIII) are filled with black pigment.
Although this figure is based upon the panel-design, it differs from pure panel-decoration in the use of a series of simple figures appended to the bottom enclosing-line of the panel. The time required to paint this design was thirty-five minutes.
Drawing No. 3 ([pl. 33]); original by Maria Martinez. This design is of an entirely different type, in that there is no use of a panel. It was placed upon a constricted-mouthed bowl.