In the preparation of the revised edition of the late Dr. Engel’s handbook, first published in 1875, care has been taken to make as few alterations as possible and to express no views from which he might have dissented.

The greatly enlarged chapter relating to post-mediæval instruments has been chiefly compiled from Dr. Engel’s Descriptive Catalogue of the musical instruments in the Museum, published in 1874.

The pages relating to the Ancient Egyptians have been revised by Dr. W. M. Flinders Petrie, those dealing with the Greeks, Etruscans and Romans by Dr. Cecil H. Smith, and the description of Chinese and Japanese instruments by Dr. Stephen W. Bushell. The thanks of the Board are due to these gentlemen for their valuable co-operation.

CONTENTS.

Page
Note[iii]
List of Contents[v]
 ” ”  Illustrations[vii]
ChapterI.—Introduction[1]
II.—Pre-Historic Relics and Ancient Egyptian[9]
III.—Assyrian and Hebrew[16]
IV.—Greek, Etruscan and Roman[27]
V.—Oriental[37]
VI.—American Indian[58]
VII.—European Instruments of the Middle Ages[83]
VIII.—European Instruments of the Middle Ages[92]
IX.—European Instruments of the Middle Ages[99]
X.—Post-Mediæval Instruments[104]
Appendix[135]
Index[139]

LIST OF ILLUSTRATIONS.

Fig.Page.
1.—Music, after an oil painting attributed to Melozzo da Forlì (1438-1494)[Frontispiece]
2.—Painted Wooden Harp. Ancient Egyptian. XVIIIth dynasty (B.C. 1450)Facing[10]
3.—Bronze and Reed Flutes. Ancient Egyptian. B.C. 600, or laterFacing[12]
4.—Bronze Sistra. Ancient Egyptian. XXIInd-XXVIth dynasty (B.C. 1000-600)Facing[14]
5.—Series of Bells. Ancient Egyptian. Late Period[15]
6.—A Muse with a Harp, and two others with Lyres. From a Greek vase[29]
7.—Pair of Bronze Flutes, with mouthpiece in the form of a bust of a Mænad holding a bunch of grapes. GreekFacing[30]
8.—A Muse Playing the Diaulos. Greek[31]
9.—Wall Painting of a youth wearing a myrtle wreath and playing on the Double Pipes. Said to have been found in a columbarium in the Vigna Ammendola on the Appian Way near Rome, about 1823. British MuseumFacing[34]
10.—Tuba, Cornu and Lituus. Roman[35]
11.—Hsüan. Chinese[42]
12.—(a) Ch’in (a species of Lute). Modern Chinese
 (b) Shêng (Mouth Organ). Chinese. 19th century
 (c) Yueh-ch’in (Moon Guitar). Chinese. 19th centuryFacing[42]
13.—(a) Koto (a species of Lute). Japanese. 19th century
 (b) Biwa (a species of Guitar). Modern Japanese
 (c) Sâmisen. JapaneseFacing[44]
14.—(a) Sârinda and Bow. Indian (Bengal). 19th century
 (b) Rudra Vina. Southern Indian (Madras). 19th century
 (c) Sârangi and Bow. Southern Indian. 19th centuryFacing[48]
15.—(a) Kemángeh or Sitâra or Fiddle. Persian. About 1800
 (b) Nuy (Flute). Persian. 19th century
 (c) Santir (Dulcimer) Case. PersianFacing[54]
16.—Pottery Whistles, with finger-holes. Ancient Mexican[59]
17.—Pottery Flageolets, with finger-holes. (a) and (c) Ancient Mexican; (b) from the Island of SacrificiosFacing[60]
18.—Bone Flutes. Ancient Peruvian, (a) and (b) Truxillo;(c) LimaFacing[60]
19.—Huayra-puhura, discovered in a Peruvian tomb[64]
20.—Wooden Trumpet. Used by Indians near the Orinoco[65]
21.—Juruparis, with and without cover. South American[66]
22.—Botuto. Used by Indians near the Orinoco[68]
23.—Cithara. From a 9th century MS. formerly in the monastery of St. Blasius in the Black Forest[84]
24.—Psalterium. From a 9th century MS. formerly in the monastery of St. Blasius in the Black Forest[85]
25.—Cithara. From a 9th century MS. formerly in the monastery of St. Blasius in the Black Forest[85]
26.—King playing Psaltery. After an engraving in N. X. Willemin’s Monuments Français Inédits, Vol. I., pl. 19, taken from Hortus Deliciarum, a MS. of the 12th century[86]
27.—Nablum. From a 9th century MS. at Angers[86]
28.—Female playing a Species of Citole. From a 9th century MS. formerly in the monastery of St. Blasius in the Black Forest[86]
29.—Harp. From a 9th century MS. formerly in the monastery of St. Blasius in the Black Forest[87]
30.—Crwth. Welsh. 18th centuryFacing[90]
31.—Organistrum[93]
32.—Sackbut[94]
33.—Organ. From a 12th century psalter in the library of Trinity College, Cambridge[95]
34.—Organ (Grand Orgue). After an engraving in N. X. Willemin’s Monuments Français Inédits[96]
35.—Bas-relief, representing a group of musicians, formerly at the abbey of St. Georges de Boscherville. Late 11th century (?). After an engraving in N. X. Willemin’s Monuments Français InéditsFacing[98]
36.—Hurdy-Gurdy (Vielle). With arms of France and crowned monogram of Henry II. on back and front. About 1550Facing[100]
37.—Tympanum of the Glory Gate of the Cathedral of Santiago de Compostella. Dated 1188. From a plaster cast in the Victoria and Albert MuseumFacing[100]
38.—Minstrel Gallery, Exeter Cathedral. 14th century. From a plaster cast in the Victoria and Albert MuseumFacing[102]
39.—Lute. Italian (Venetian). Beginning of the 17th centuryFacing[104]
40.—Angel Playing a Lute. After an oil painting by Ambrogio da Predis. Late 15th centuryFacing[104]
41.—Archlute. Inscribed “Rauche in Chandos Street, London, 1762"Facing[104]
42.—Chitarrone. Italian. Made by Buchenberg in Rome, anno 1614Facing[106]
43.—Pandurina. French. Second half of 16th centuryFacing[108]
44.—Guitar. French (?). 17th centuryFacing[108]
45.—Quinterna, or Chiterna. German. Dated 1539Facing[108]
46.—Cither. German. End of 17th centuryFacing[108]
47.—Harp Theorbo. Made by Harley. English. About 1800Facing[110]
48.—Harp Ventura. English. Early 19th centuryFacing[110]
49.—Banduria. English. Early 19th centuryFacing[110]
50.—Harp. Old IrishFacing[110]
51.—Harp. French. About 1770Facing[112]
52.—Violin. Said to have belonged to James I. English. Early 17th centuryFacing[112]
53.—Angel Playing a Viol. After an oil painting by Ambrogio da Predis. Late 15th centuryFacing[104]
54.—Viola da Gamba. Italian. About 1600Facing[114]
55.—Viola da Gamba. Italian. 17th centuryFacing[114]
56.—Viola di Bardone, or Bariton, with Bow. German. 17th centuryFacing[114]
57.—Viola d’Amore. Probably English. Late 17th centuryFacing[116]
58.—Double-Bass, with Bow. Known as “The Giant.” Italian. 17th centuryFacing[116]
59.—Sordino, or Pochette. Probably German. Late 17th or early 18th centuryFacing[118]
60.—Bûche, or Scheitholz. Made by Fleurot, of the Val d’Ajol in the Vosges Mountains. Early 19th centuryFacing[118]
61.—Virginal. Formerly belonging to Queen Elizabeth. Italian. Second half of 16th centuryFacing[118]
62.—Virginal. Flemish. Second half of 16th centuryFacing[118]
63.—Spinet. Made by Annibale dei Rossi of Milan. Italian. Dated 1577Facing[120]
64.—Spinet. Signed “Johannes Player fecit” English. About 1700Facing[120]
65.—Clavichord. Inscribed “Barthold Fritz fecit, Braunschweig, anno 1751.” German. 18th centuryFacing[120]
66.—Clavicembalo. Signed “Joanes Antonius Baffo, Venetus.” Italian. Dated 1574Facing[122]
67.—Clavecin. Made by Pascal Taskin of Paris. French. Dated 1786Facing[124]
68.—Organ-Harpsichord, or Claviorganum. Formerly in the chapel of Ightham Mote, near Sevenoaks, Kent. Probably EnglishFacing[124]
69.—Triple Flageolet. Italian. About 1820Facing[124]
70.—Flauto Dolce, or Flute. Ivory. Inscribed “Anciuti a Milan, 1740"Facing[124]
71.—Flageolet. Italian. Middle of 18th centuryFacing[126]
72.—Oboe. Made by Anciuti of Milan. Formerly in the possession of the composer Rossini. Latter half of 18th centuryFacing[126]
73.—Bassoon, species of. English. Late 18th, or early 19th centuryFacing[128]
74.—The Serpent. Made by Gerock Wolf, in London. English. Early 19th centuryFacing[128]
75.—Serinette or Bird Organ. French. Period of Louis XIV.Facing[128]
76.—Organ (Positive). German. Dated 1627Facing[128]
77.—Bagpipes. English. 18th centuryFacing[130]
78.—Handel’s Harpsichord. Made by Andreas Ruckers, of Antwerp, 1651Facing[134]

MUSICAL INSTRUMENTS.

I.