As a musical instrument, this harpsichord has lived its life. It is not now capable of being tuned, and any attempt to improve the accord of it might prove disastrous by the sounding-board giving way altogether. It is, therefore, of consequence to the preservation of the woodwork that tuning should not be attempted.
John Broadwood & Sons.
Letter to the Rev. G. Coxe, Twyford, Rector of St. Michael’s, Winchester:--
My Dear Sir,—Will you oblige me by certifying (if I am correct) the following:—
The celebrated Mr. Smith (or Schmidt) was Handel’s private friend, and amanuensis. This said Mr. Smith was presented by Handel with his favourite fine double-keyed harpsichord, made by the best makers of the day, Andreas Ruckers of Antwerpia, 1651. This said instrument you have heard repeatedly Mr. Smith play on. Mr. Smith was father-in-law to you as well as your sister, the late Dowager Lady Rivers; and at his death, the said harpsichord, together with a large collection of Handel’s oratorios, etc., etc., MSS., came into the hands of the Dowager Lady Rivers. This instrument was parted with to a Mr. Wickham, surgeon, who parted with it to the Rev. W. Hawtrey, Prebendary of Winchester Cathedral, upon the death of whom I purchased it at the sale of his effects; and in my possession it still remains.
Is not this the identical instrument now spoken of? Your early answer to these queries, as the only living witness, will oblige.
Dear Sir,
Yours faithfully,
G. W. Chard.
P.S.—Will you oblige me by certifying on this sheet of paper, and returning it?
Answer.
I certify that the above statement is correct, as far as my knowledge goes.