Every evening as long as we remained here Pisha, the chief, used to sing, reciting mythical events, thereby attracting good antohs (spirits) and keeping the evil ones away, to the end that his people might be in good health and protected against misfortune. His efforts certainly were persevering, and he had a good voice that sounded far into the night, but his songs were of such an extraordinarily melancholy character that it still makes me depressed to remember them. He was an amiable man, whose confidence I gained and who cheerfully gave any information I wanted. Of his five daughters and three sons only the youngest daughter, who was not yet married, was allowed to pronounce Pisha's name, according to custom. Nor was it permissible for his sons-in-law to give me the name, still less for him to do so himself.

After Mr. Demmini's departure all the photographing fell upon me, to which I had no objection, but it was out of the question also to do developing, except of the kodak films, and as the lieutenant, who had done some before, thought he could undertake it, the matter was so arranged. The first attempts, while not wholly successful, were not discouraging, and as time went on the lieutenant turned out satisfactory results. We had a couple of days' visit from the kapala of Sebaoi, a tall and nervous-looking Penyahbong, but friendly, as were the rest of them. I was then engaged in photographing and taking anthropometric measurements of the gently protesting natives, to whose primitive minds these operations appear weirdly mysterious. At first the kapala positively declined to take any part in this work, but finally reached the conclusion that he would be measured, but photographed he could not be, because his wife was pregnant. For that reason he also declined a glass of gin which the lieutenant offered him.

The valiant man who had tried to catch the yellow snake on our river voyage called on me with his wife, who knew how to embroider well, and I bought some shirts embellished with realistic representations of animals, etc. The husband had that unsightly skin disease (tinea imbricata) that made his body appear to be covered with half-loose fish scales. Next day, to my amazement, he had shed the scales. The previous night he had applied a remedy which made it possible to peel the dead skin off, and his face, chest, and stomach were clean, as were also his legs and arms. His back was still faulty because he had not had enough of the remedy, but he was going to tackle the back that evening. The remedy, which had been taught them by the Saputans, consists of two kinds of bark and the large leaves of a jungle plant with red flowers, one of which was growing near my tent.

All the tribes visited by me suffer more or less from various kinds of skin diseases caused by micro-parasitic animals, the Kenyahs and Oma-Sulings in a much less degree. The most repulsive form, just described, does not seem to interfere with general health. Three of my Kayan carriers thus affected were more muscular and stronger than the rest. One of them was the humorous member of the party, always cutting capers and dancing. Women are less affected than men, and I often saw men with the disfiguring scaly disease whose wives were evidently perfectly free from it.

A party of six fine-looking Penyahbongs were here on a rhinoceros hunting expedition. They came from the western division, and as the rhino had been nearly exterminated in the mountain ranges west and northwest of Tamaloë, the hunters were going farther east. Such a party carries no provisions, eating sago and animals that they kill. Their weapons are sumpitans and parangs, and equipment for stamping sago forms part of their outfit. The rhino is approached stealthily and the large spear-point on one end of the sumpitan is thrust into its belly. Thus wounded it is quite possible, in the dense jungle, to keep in touch with it, and, according to trustworthy reports, one man alone is able in this way to kill a rhino. It is hunted for the horn, which Chinamen will buy.

At my request two of the hunters gave war-dances very well, taking turns. Their movements were graceful, and in the moonlight they appeared sinuous as serpents. The same dance obtains in all the tribes visited, and the movement is forward and back, or in a circle. It was performed by one man who in a preliminary way exercised the flexible muscles of the whole body, after which he drew his sword, seized the shield which was lying on the ground and continued his dancing more vigorously, but with equal grace. Pisha, the chief, came to the dance, and the meeting with the new arrivals, though silent and undemonstrative, was decidedly affectionate, especially with one of them who was a near relative. Half embracing each other, they stood thus at least a minute.

The Penyahbongs have rather long legs, take long paces, putting down their heels first. They have great endurance and can walk in one day as far as a Malay can in three. In the mountains the cold weather prevented them from sleeping much. It often happened that they were without food for three days, when they would drink water and smoke tobacco. Trees are climbed in the jumping way described before, and without any mechanical aid. Formerly bathing was not customary. Excrements are left on the ground and not in the water. They don't like the colour red, but prefer black. Fire was made by flint and iron, which they procured from the Saputans.

The hair is not cut nor their teeth. The women wear around the head a ring of cloth inside of which are various odoriferous leaves and flowers of doubtful appreciation by civilised olfactory senses. A strong-smelling piece of skin from the civet cat is often attached to this head ornament, which is also favoured by natives on the Mahakam.

In regard to ear ornamentation the Penyahbongs are at least on a par with the most extreme fashions of the Dayaks. The men make three slits in the ear; in the upper part a wooden disk is enclosed, in the middle the tusk of a large species of cat, and in the lobe, which is stretched very long, hangs a brass coil. The ears of the women have only two incisions, the one in the middle part being adorned with bead strings, while in the lobe up to one hundred tin rings may be seen. They are tatued, and noticeable on the men is a succession of stars across the chest, as if hanging on a thread which is lower in the middle. The stars symbolise the fruits of durian. The colour of the tatuing is obtained from damar.

Formerly they wore scanty garments of fibre, the man wearing only a loin cloth, and in case of cold weather a piece of the same material covered the shoulders and back. The woman had a short skirt folded together at the back, and both sexes used rattan caps. Besides sago their main subsistence was, and still is, all kinds of animals, including carnivorous, monkeys, bears, snakes, etc. The gall and urine bladder were universally thrown away, but at present these organs from bear and large snakes are sold to traders who dispose of them to Chinamen. Formerly these people had no salt.