He stepped in with a gasp of relief. The tunnel was also still deserted. He jumped to the tapestry.
For a moment, he couldn't find the one that hid the window. Then he found it, lifted it with nervous fingers, and stared once more down into the auditorium. The kids were just leaving the auditorium, filing out a door at the rear. The Bear was just leaving the stage.
How was he to get down there? He eyed the wall encircling the auditorium. It curved, just as the tunnel curved. The tunnel seemed to be a closed balcony surrounding the place. Somewhere ahead there must be an exit leading down to the stage. Steel dropped the tapestry and went down the tunnel, running now.
Sure it was quick! Much quicker than he'd ever hoped! Three hours since he'd left the Terminal and he'd found The Bear! His fingers curled around the pistol like a caress.
When he judged he'd half-circled the hall, he slowed down, moving swiftly but cautiously. Then he came to a belt that cut down to the left. It must lead to the stage. He stepped on it.
It did. It carried him swiftly to the wings and peering out across the stage, he saw it standing there in the opposite wings. Still reared ten feet high on its hind legs, eyes like red-filmed lights. And with The Bear now was a bull-necked giant whom Steel remembered from police photographs, a boxer of "fixed match" notoriety—Mike Doyle.
The kids were still straggling from the hall. Steel waited behind the curtain till the last one left. Then he stepped out and strode quickly across the stage.
"Don't move, Mike," he ordered the boxer.
The big fellow whirled. The Bear turned.
Steel stopped six feet from them, pistol leveled. "I don't know whether you're real or not," he said, eyeing the huge animal, "but there's a good way to find out. If that's just some kind of trick get-up, whoever's in it better get out fast. I'm going to blast a hole through it."