[B] The fault is really typical of that school of criticism which is always comparing, instead of searching out an artist's intention and judging whether or not he has realized it.
[C] Maurice Maeterlinck broke a promise to Georgette Leblanc of seventeen years' standing to witness a performance of Debussy's lyric drama on January 27, 1920, when, with the new Madame Maeterlinck, he sat in a box, remaining till the final curtain, at the Lexington Theatre in New York. After the fourth act, responding to Miss Garden's urge and the applause of the audience, he rose to bow.
| Note of transcriber of this etext: |
| the consistent spelling of choregraphy has not been corrected |
| overwhemingly=>overwhelmingly |