Well, Clara began dubiously, she is said to be like Sybil Sanderson but, of course, Sanderson had a voice and, she hurried on, you know even Sanderson never had any success in New York.
I recalled, only too readily, how Manon with Jean de Reszke, Pol Plançon, and Sybil Sanderson in the cast had failed in the nineties at the Metropolitan Opera House, and I admitted as much to Clara.
But would this be true today? I pondered.
Certainly, advanced Clara. America doesn't want French singers. They never know how to sing.
But you are studying in Paris.
The girl began to look discomfited.
With an Italian teacher, she asseverated.
It delighted me to be able to add, I think Sanderson studied with Sbriglia and Madame Marchesi.
Your face is getting very hard, cried Martha in despair.
I think he is very rude, exclaimed the outraged and contumacious Miss Barnes, with a kind of leering acidity. He doesn't seem to know the difference between tradition and impertinent improvisation. He doesn't see that singing at the Opéra or the Opéra-Comique with a lot of rotten French singers would ruin anybody who didn't have training enough to stand out against this influence, singing utterly unmusical parts like Mélisande, too, parlando rôles calculated to ruin any voice. Maeterlinck won't even go to hear the opera, it's so rotten. I wonder how much Mr. Van Vechten knows about music anyway?