All this, of course, is the biggest bunkum imaginable. But it impresses my auditors. And especially it impresses Mr. Denison. Meanwhile, I am still studying his boots.
Well, I am bandaged to the satisfaction of the committee, who one and all examine me in turn, while some make suggestions, calculated, so they imagine, to further the completeness of the blindfolding business; a little more cotton-wool here, a tightening of the bandage there, and so on. When all is finished a prominent member of the committee of investigation solemnly and emphatically pronounces his opinion as follows: “Gentlemen, if Carlton can see through that bandage and those pads, he must have the eyes of a catamount.”
Precisely what kind of an animal a catamount is, I do not know, but I am quite prepared to believe that it possesses abnormally keen eyesight. Anyway, everybody appears quite satisfied, and I step forth from the building, groping and stumbling as a blind man would. The bugles blare, the crowd gives a mighty cheer, and the quest begins. I circle round like a hound casting for scent, only that my movements, of course, are slower. I know that in the beginning I must either go one way or the other; up the street or down, to the right or to the left.
Groping this way and that, with my hands outstretched, but my eyes carefully directed downwards, I am able presently to bring the boots of my “guide” within my very limited range of vision. Naturally the toes are pointing in the direction he is mentally willing me to go. So off I start in that direction, after a little more groping and circling, done for effect, and not of any set purpose.
Now, I have previously taken care to make myself thoroughly acquainted with the topography of the city generally, and more especially with that of the streets in the immediate vicinity of the newspaper office from which I set out. Also I am aware that the bag of gold is secreted somewhere at a point approximately not less than a mile, and not more than two miles, from the starting-point, for this was the arrangement made in advance. So the reader will see that I had a certain amount of data to go upon.
There is, of course, always the kerb to guide me, and in the main thoroughfares there are tramlines. I could, therefore, walk in a perfectly straight line as far as the first turning. But this, naturally, I do not do. Instead, I zigzag from one side to the other, blunder into pedestrians, finger my way along shop-fronts and area-railings, and so on.
By and by I come to a side street. I may have to turn down it, or I may not. In order to find out, I have to grope and circle in such a way as to be able to bring within my view the boots of the “guide” who is following me. A single glimpse suffices. But often I pretend to be at fault.
“You are not exerting sufficient will power,” I tell him. “Please, sir, do your utmost to guide me aright. Will me along the way I am to go, please. I cannot go right without your help.” And so on and so forth! It is all the veriest humbug, of course; but I have yet to come across the man whom it does not impress.
In this manner I progress along the route, and at each turning or doubtful corner the pantomime set forth above is repeated. But never in quite the same way, or some among the onlookers might get suspicious, and this is the one thing I have to avoid at all hazards. Everything has to be done naturally; every movement must be executed exactly as a blind man might be expected to execute it. It is not an easy matter. One has to be a good actor. Supposing, for example, I came upon an open grating, or a hole in the road. It would never do to avoid these too markedly. In the case of the grating I “feel” it with one foot, pretending to try and gauge its depth and extent, before circling round it. As regards the hole, if it is not too deep, I may allow myself the luxury of falling into it. It must, of course, be done carefully, and there is even then a certain element of risk, but it adds immensely to the realism of the performance.
In this way, circling, groping, stumbling, but every minute drawing nearer and nearer to my objective, I progress along my way, and in time I am able to locate the hiding-place of the object I am in search of. Never once have I failed.