From such a pile of years I almost lose the author’s dread of the critic. Praise or blame are to me now much the same; but, being a woman, I still prefer the praise.
I cannot close these preliminary words without expressing my obligations to Mr. P. Forbes for the eight sketches he has permitted to be copied for the beautifying of the book; to Messrs. Oetzmann for some illustrations so kindly lent; to Mr. Baines, not only for a similar favour, but for help from his valuable ‘Records of Hampstead’; and to the proprietors of the Municipal Journal for the charming picture of the viaduct.
My thanks are also due to Mrs. Rosa Perrins, to Miss Kemp, Miss Quaritch, and Mr. M. H. Wilkin, who have all kindly assisted me. I also desire to acknowledge my indebtedness to Mr. Lloyd, of Highgate, for information gathered from his clever lecture on ‘Caen Wood and its Associations.’ To the courtesy and kindness of Mr. G. W. Potter I owe much original material, and many interesting notes; and I also desire to thank Mr. C. A. Ward for the personal interest he has taken in my work, and the great help he has ungrudgingly given me in preparing and correcting it for the press. I can only add that should my book be found so readable as to convey to others some share of the pleasure I have felt in writing it, or lead in more capable hands to future research and a fuller development of a delightfully interesting topic, ‘Sweet Hampstead’ will have fulfilled its intention, and I can sing with an unknown poet of the sixteenth century:
‘Now cease, my lute: this is the laste
Labour that thou and I shall waste,
And ended is that we begun;
Now is this song both sung and past:
My lute, be still, for I am done.’