“I have sinned deeply, against God; against him; most of all against you. I cannot even venture to ask you to forgive. I can only say to you, the penalty is wholly mine to bear. You are blameless.”

Having read the note, Anna threw it into the fire, and wrote no word in return.

And for herself—?

There was no softness of self-pity in Anna’s remorse. Dry and tearless and despairing, she saw herself, after long years of spiritual assurance, of established and unquestioned righteousness, overwhelmed at last by sin; not by the delicate and dainty and inconclusive discords which religious experts love to examine and analyze, but by a gross ground-swell of primitive passion, linking her with men of violence and women of shame.

Looking back upon her girlhood, Anna thought with sad self-scorning of her young desire for “a deeper sense of sin.” It had come now, not as the initial stage in a knowledge of God, and of her relation to him, but as a tardy revelation of the possibility of her nature, undreamed of in her long security. The cherished formulas of the old system, its measure of rule and line applied to the incalculable forces of the human spirit; its hard, inflexible mould into which the great tides of personal experience must be poured, seemed to lie in fragments about her now, like wreckage after a storm. She remembered that Professor Ward had once spoken to her of her inherited religious conceptions as terrible in their power to mislead, to deceive the heart as to itself; she saw the danger of a belief founded not on infinite verities, but on a narrow mediæval logic. She knew sin at last, and knew that it was not slain in the hour of spiritual awakening.

She thought of the night preceding her union with her father’s church, and the recoil of nameless dread with which she had seen passing under her window the village outcast whom she supposed to be incredibly guilty and cut off from fellowship with all who, like herself, were seeking God. And it was that very night that she had first dreamed of the mighty personality, the embodiment of power and greatness, which she had thought to find in Gregory. Though late, she now clearly perceived that in no human being could that ideal of her dream find full manifestation.

Such thoughts as these were passing behind the pale mask of Anna’s pain-worn face, which her mother’s eyes were watching. The impress of suffering which they gave was hard to see, and a long involuntary sigh escaped Gulielma Mallison’s lips.

Anna looked up with eyes as sad as those of Michel Angelo’s Fates.

“Mother dear,” she said, her voice strangely dulled from its former clear cadence, “why do you sigh? Do I make you unhappy?”

“I cannot comfort you, Anna Benigna,” said the mother, sorrowfully. “It is for that I sigh.”