A Woman of Yesterday

by Caroline Atwater Mason

Which has not fall’n on the dry heart like rain?

Which has not cried to sunk, self-weary man:

Thou must be born again!

—Matthew Arnold.

Anna Mallison’s working theory of the human family in its moral and religious relations (and she recognized no other as of importance) was as destitute of shading as a carpenter’s house plan. Indeed, her hypothesis unconsciously bore a certain pictorial resemblance to the ground plan of a colonial house—a hall running through the middle with two rooms on each side! There was, straight through the centre of her moral universe, a wide, divisive, neutral passage in which dwelt uneasily all people who had not been regenerated, but who had not rejected salvation formally and forever. Here were such heathen and young children, and such thoughtless and unhardened impenitent as might yet listen to the divine call. At the right of this central hall, following Anna’s scheme of the race, were two wide rooms: the first bright with a subdued and varied light; the second, opening beyond the first, overflowing with undimmed and celestial radiance. The first was the Church, the place of saints on earth, the second was heaven, easily reached from the first. But the entrance to the first room from the central space was obscure, difficult, and mysterious, and few were they who found it.

At the left of the great hall were likewise two vast connecting chambers. A wide door stood ever open into the first, through which a throng continually passed. Here were dimness and dread, lighted only by false and baleful gleams; and in the room beyond, the blackness of darkness, and that forever.

This first room was the abode of those who deliberately chose the world and turned away from God, whose fitting end was in the awful gloom of that place of torment and wailing beyond.

Above the right-hand division, high and lifted up, dwelt in unthinkable glory the God of her fathers, holy, but to her subconscious sense, ineffective, else why were earthquakes, murders, prisons, insanities? and why, indeed, those populous chambers on the left?

Over them presided a rapid, hurtling Spirit, always engaged in her imagination in falling like lightning from heaven. He was Miltonic necessarily, but also much like one of Ossian’s heroes, and, on the whole, a more imposing force than the Creator whose power he seemed so successfully to have usurped.

In fine, Anna believed in two gods, an infinite spirit of good, and an infinite spirit of evil, although she would have called herself strictly monotheistic.