The Mosque of St. Sophia at Constantinople is the great example of Byzantine art. Its history begins in the latter days of Roman history. Constantine, Theodosius, and Justinian all were connected with it. Read of the part each emperor took. Study next the rise and development of its style of architecture; note how uninteresting is its exterior, how curious the material of which it is built, and how wonderful its interior is. Note especially its marvelous dome, its pillars, built of marble and mosaics, its galleries and seats, so unusual in a great church. Take up the history of its greater columns, some from the Temple of the Sun at Baalbek, built by Aurelian, others from the Temple of Diana at Ephesus, and still others from Thebes, Athens, Rome, and Alexandria. This one topic of the columns could fill a meeting.

The use of color in the church should be emphasized; greens, blues, reds, black and white, rose and gold all mingle here in the decoration. Lamps, globes of crystal, even ostrich eggs, are suspended from the ceiling. Carpets and rugs, inlaid lecterns, painted sentences from the Koran are all of interest, but perhaps most remarkable are the scenes of Moslem life and worship at all hours.

As to the history of the great church,—that covers all of the Middle Ages, and extends even to our own day. Christians and Mohammedans have fought for it; it has withstood sieges and bombardments, and known massacres and pillage. Read from many sources; one good description by De Amicis is found in "Turrets, Towers and Temples."

VI—MOORISH ARCHITECTURE IN SPAIN

On a hill-top in Spain in the fortified suburb of Granada is the famous palace of the Moorish kings, the Alhambra. A large part of it was torn down by Charles V to make way for a palace which he began but never finished; it has suffered from neglect, from spoliation, from bombardment, from earthquakes and from fire; yet it still remains to-day an exquisite and unique piece of architecture. The whole place is easily divided into its parts, and papers may describe them separately. The entrance with its great vestibule and the inner portal, one with a gigantic hand and the other with a key, around which emblems cluster fascinating legends, may be the first subject; then will follow others on the Hall of the Ambassadors, the Court of the Fish Pond, the Court of the Lions, the Hall of the Two Sisters, and the Hall of the Abencerrages. The Court of the Lions is the most beautiful, with its alabaster fountain resting on the crouching lions; the Hall of the Abencerrages witnessed a famous massacre; show pictures of these two rooms. Notice how everywhere there are the vaulted ceilings of carved cedar wood, the bubblelike domes, the mosaics, the tilings, the arabesques, the delicate tracery of color, and the marvelous lace work of wood and marble. The deep well of icy water is also to be mentioned, and the repeated fountains; the glorious views from the various windows and arches are also famous. Read several chapters from Washington Irving's "Alhambra," and also from "Spain and the Spaniards," by De Amicis (Coates).

The Giralda and the Alcazar, both of Seville, should also be studied as other Moorish remains; and if there is time there may be one meeting on the Escurial.

VII—NOTEWORTHY RUSSIAN BUILDINGS

The Kremlin is the citadel of Moscow and is built on very much the same lines as the Alhambra, for a wall surrounds it and it contains many important buildings. Here are churches, palaces, and towers. Clubs should spend several meetings on this place, for it is of immense importance in Russian history. Have one paper on the Bell Tower; pass from this to the Cathedral of the Assumption, and describe its massive interior and the painted walls, with the figures whose aureoles, breastplates, necklaces, and bracelets are of precious stones; mention also the burial place of the Metropolitans. Follow with another paper on the cathedral of the Archangel, and a fourth on the new palace, which holds the art treasures of Russia, its famous manuscripts, paintings and jewels. The library, museum and university should also be described, the whole place forming a wonderful group of buildings.

Read the description by Théophile Gautier, in "Turrets, Towers and Temples." See also "The Russian Empire of To-day and Yesterday," by N. O. Winter (The Page Company). Give the description of a coronation.

VIII—NOTRE DAME