"You may say just what you please, for I like frankness and straightforwardness as well as I ever did; better,—a great deal better, for I know its value more. And you, Ernest, I cannot call you any thing else, you are another and yet the same. The same stately, statue-like being I used to try in vain to teaze and torment. It seems so long since we have met, I expected to have seen you quite bent and hoary with age. Do tell me something of your transatlantic experience."
While she was speaking in that peculiar tone of voice which reminded one of a distant clarion, Richard Clyde came to me on the other side, and seeing that she wished to engage the conversation of Ernest, which she probably thought I had engrossed too long, I took the offered arm of Richard and returned to the drawing-room. Seeing a table covered with engravings, I directed our steps there, that subjects of conversation might be suggested independent of ourselves.
"How exquisite these are!" I exclaimed, taking up the first within my reach and expatiating on its beauties, without really comprehending one with my preoccupied and distant thoughts. "These Italian landscapes are always charming."
"I believe that is a picture of the Boston Common," said he, smiling at my mistake; "but surely no Italian landscape can boast of such magnificent trees and such breadth of verdure. It is a whole casket of emeralds set in the granite heart of a great city. And see in the centre that pure, sparkling diamond, sending out such rays of coolness and delight,—I wonder you did not recognize it."
"I have seen it only in winter, when the trees exhibited their wintry dreariness, and little boys were skating on the diamond surface of that frozen water. It looked very different then."
"Mr. Linwood could explain these engravings," said he, drawing forward some which indeed represented Italian ruins, grand and ivy mantled, where the owl might well assert her solitary domain. "He has two great advantages, an eye enlightened by travel, and a taste fastidious by nature."
"I do not admire fastidiousness," I answered; "I do not like to have defects pointed out to me, which my own ignorance does not discover. There is more pleasure in imagining beauties than in finding out faults."
"Will you think it a presuming question, a too inquisitive one," he said, holding up an engraving between himself and the light, "if I ask your candid opinion of Mr. Linwood? Is the world right in the character it has given? Has he all the peculiarities and fascinations it ascribes to him?"
He spoke in a careless manner, or rather tried to do so, but his eye burned with intense emotion. Had he asked me this question a short time previous, conscious blushes would have dyed my cheeks, for a "murderous guilt shows not itself more soon," than the feelings I attempt to conceal; but my sensibility had been wounded, my pride roused, and my heart chilled. I had discovered within myself a spirit which, like the ocean bark, rises with the rising wave.
"If Mr. Linwood had faults," I answered, and I could not help smiling at the attempted composure and real perturbation of his manner, "I would not speak of them. Peculiarities he may have, for they are inseparable from genius,—fascinations"—here their remembrance was too strong for my assumed indifference, and my sacred love of truth compelled me to utter,—"fascinations he certainly possesses."