We were all seated in a piazza, one beautiful summer's night. The moonbeams quivered through the interlacing vines that crept fantastically over the latticework that surrounded it. My grandmother sat in an arm-chair in the centre of the group, her arms quietly folded across her lap, her hair white and silvery as the moonbeams that lingered on its parted folds. She was the handsomest old lady I ever saw, my revered grandmother, and in the spring of her years had been a reigning belle. To me she was still beautiful, in the gentle quietude of life's evening shades, the dignity of chastened passions, waiting hopes, and sustaining religious faith. I was her favourite grandchild, and the place near her feet, the arm laid across her lap, the uplifted eye fixed steadfastly on her face, constant as the recurrence of the still night hour, told a story of love and devotion on my part, which defied all competition. As I sat this night, leaning on her lap, I held her hand in mine, and the thought that, a few more years, that hand must be cold in the grave, incapable of answering the glowing pressure of mine, made me draw a deep inspiration, and I almost imagined her complexion assumed an ashen hue, prophetical of death. The weather was warm, and she wore a large loose wrapper, with flowing sleeves, left unconfined at the wrist. As I moved her hand, the folds of the sleeve fell back, and something pure and bright glittered in the moonlight. She made a movement to draw down the sleeve, but the eager curiosity of childhood was not to be eluded. I caught her wrist, and baring it to the gaze of all, exclaimed—
"Only think—grandmother has got on a bracelet—a pearl bracelet! Who would think of her indulging in such finery? Here are two sweet pearl lilies set together in a golden clasp, with golden leaves below them. Why, grandmother, you must be setting up for a bride!"
"It was a bridal gift," replied she, sliding the bracelet on her shrunken arm; "a bridal gift, made long ago. It was a foolish thought, child. I was looking over a casket, where I have deposited the choicest treasures of my youth, and I clasped it on my wrist, to see how my arm had fallen from its fair proportions. My mind became so lost in thinking of the story of this gem, I forgot to restore it to the place where it has so long lain, slumbering with the hoarded memories of other days."
"A story!" we all eagerly exclaimed,—"please tell it—you promised us one to-night."
"Ah! children, it is no fairy tale, about bright genii, and enchanted palaces, and ladies so beautiful that they bewitch every one who comes within the magic reach of their charms. It is a true tale, and has some sad passages in it."
"Grandmother," said I, in a dignified manner, "I hope you don't think me so silly as not to like anything because it is true. I have got over the Arabian Nights long ago, and I would rather hear something to make me feel sorry than glad—I always do feel sad when the moon shines on me, but I can't tell the reason why."
"Hush! Mina, and let grandmother tell her story—you always talk so much," said little Mitty, who sat on the other side of her venerable relative.
The old lady patted with one hand the golden head of the chider, but the arm clasped by the magic bracelet was still imprisoned by my fingers, and as she proceeded in its history, my grasp tightened and tightened from the intenseness of my interest, till she was compelled to beg me to release her.
"Yes," said she, in a musing tone, "there is a story depending on this, which I remember as vividly as if the events were of yesterday. I may forget what happened an hour ago, but the records of my youth are written in lines that grow deeper as time flows over them."