Love frequently comes like this to people in the wilds, to those who have few interests and much time to think. The emotional side of their natures has been held in check until a trifle is sometimes sufficient to loose a torrent which nothing can then divert or check.
She asked him to loop her latigo, which was trailing, and his hand shook as he fumbled with the leather strap.
“Gawd!” he swore in bewilderment as he returned to his own horse, wiping his forehead with the back of his gauntlet, “what feelin’ is this workin’ on me? Am I gettin’ locoed, me—Smith?”
“I’m glad I’ve found a friend like you,” said the Schoolmarm impulsively. “One needs friends in a country like this.”
“A friend!” It sounded like a jest to Smith. “A friend!” he repeated with an odd laugh. Then he raised his hand, as one takes an oath, and whatever of whiteness was left in Smith’s soul illumined his face as he added: “Yes, to a killin’ finish.”
If Smith had met Dora among many, the result might have been the same in the end, but here, in the isolation, she seemed from the first the centre of everything, the alpha and omega of the universe, and his passion for her was as great as though it were the growth of many months instead of less than twenty-four hours. The depth, the breadth, of it could not quickly be determined, nor the lengths to which it would take him. It was something new to be reckoned with. To what extent it would control him, neither Smith nor any one else could have told. He knew only that it now seemed the most real, the most sincere, the best thing which had ever come into his life.
Dora Marshall knew nothing of men like Smith, or of natures like those of the men of the mountains and ranges, who paid her homage. Her knowledge of life and people was drawn from the limited experiences of a small, Middle West town, together with a year at a Middle West co-ed college, and as a result of the latter the Schoolmarm cherished a fine belief in her worldly wisdom, whereas, in a measure, her lack of it was one of her charms. Susie, in her way, was wiser.
The Schoolmarm’s attitude toward her daily life was the natural outcome of a romantic nature and an imaginative mind. She saw herself as the heroine of an absorbing story, the living of which story she enjoyed to the utmost, while every incident and every person contributed to its interest. Quite unconsciously, with unintentional egotism, the Schoolmarm had a way of standing off and viewing herself, as it were, through the rosy glow of romance. Yet she was not a complex character—this Schoolmarm. She had no soaring ambitions, though her ideals for herself and for others were of the best. To do her duty, to help those about her, to win and retain the liking of her half-savage little pupils, were her chief desires.
She had her share of the vanity of her sex, and of its natural liking for admiration and attention, yet in the freedom of her unique environment she never overstepped the bounds of the proprieties as she knew them, or violated in the slightest degree the conventionalities to which she had been accustomed in her rather narrow home life. It was this reserve which inspired awe in the men with whom she came in contact, used as they were to the greater camaraderie of Western women.
In her unsophistication, her provincial innocence, Dora Marshall was exactly the sort to misunderstand and to be misunderstood, a combination sometimes quite as dangerous in its results, and as provocative of trouble, as the intrigues of a designing woman.