"The Ground Floor"
While Andy P. Symes on his honeymoon was combining business with pleasure in that vague region known as "Back East," and his bride was learning not to fold the hotel napkin or call the waiter "sir," the population of Crowheart was increasing so rapidly that the town had growing pains. Where, last month, the cactus bloomed, tar-paper shacks surrounded by chicken-wire, kid-proof fences was home the next to families of tow-heads.
Crowheart, the citizens of the newly incorporated town told each other, was booming right.
They came in prairie schooners, travel-stained and weary, their horses thin and jaded from the long, heavy pull across the sandy trail of the sagebrush desert. With funds barely sufficient for horse feed and a few weeks' provisions, they came without definite knowledge of conditions or plans. A rumor had reached them back there in Minnesota or Iowa, Nebraska or Missouri, of the opportunities in this new country and, anyway, they wanted to move—where was not a matter of great moment. Others came by rail, all bearing the earmarks of straitened circumstances, and few of them with any but the most vague ideas as to what they had come for beyond the universal expectation of getting rich, somehow, somewhere, some time. They were poor alike, and the first efforts of the head of each household were spent in the construction of a place of shelter for himself and family. The makeshifts of poverty were seldom if ever the subject of ridicule or comment, for most had a sympathetic understanding of the emergencies which made them necessary. Kindness, helpfulness, good-fellowship were in the air.
When Ephriam Baskitt loomed up on the horizon with two freight wagons filled with the dust-covered canned goods of a defunct grocery store and twenty-four hours later was a fixture, nobody saw anything humorous in the headline in the Courier which heralded him as "The Merchant Prince of Crowheart." Two new saloons opened while "Curly" resigned as chef for the Lazy S Outfit to become the orchestra in a new dance hall which arrived about midnight in a prairie schooner.
As Dr. Harpe made friends with the newcomers and continued to ingratiate herself with the old, she sometimes felt that the death of Alice Freoff was not after all the tragedy it had at first seemed. She missed the woman—not the woman so much either, as the association—and there was no one in Crowheart to fill her place, so she was frequently lonely, often bored, with the intensely practical, unsophisticated women whom she attracted strongly. Sometimes she thought of Augusta Kunkel and a derisive smile always curved her lips as she attempted to picture her in a worldly setting and the smile grew when she tried to imagine Symes's sensations while presenting her to his friends. She indulged, too, in speculation as to the outcome of the marriage, but could not venture a prophecy since it was one of those affairs to which no ending would be improbable.
But while Dr. Harpe speculated, observation and the suggestions of Andy P. Symes were working wonders in the appearance of the gawky, long-limbed woman. A session with a hair-dresser had not been wasted, for she had learned to dress her hair in the prevailing mode. Symes had lost no time in rushing her to an establishment where the brown cashmere basque and many gored skirt had been exchanged for a gown of fashionable cut. A pair of French stays developed indications of a figure and the concho-like broach had been discarded, while Augusta herself had learned that black silk mitts had not been greatly in vogue for nearly a quarter of a century. The conspicuous marvel which had displayed the skill of the clairvoyant milliner from South Dakota had been replaced by a hat of good lines and simplicity, and, for the first time in her life, Augusta Kunkel rustled when she walked.
When the transformation was complete, Andy P. Symes sighed in a little more than relief, and mentally observed that in the course of human events he might be able to introduce her to his family.
Nor was Symes himself idle in a land where Capital hung like an over-ripe peach waiting to be plucked by the proper hand. Mr. Symes was convinced that his was the hand, so he lost no opportunity of widening his circle of desirable acquaintances.
In his wide-brimmed Stetson, with his broad shoulders towering above the average man, his genial smile and jovial manners, he was the typical free, big-hearted westerner of the eastern imagination. And he liked the rôle; also he played it well. Symes was essentially a poseur. He loved the limelight like a showman. To be foremost, to lead, was essential to his happiness. He demanded satellites and more satellites. His love of prominence amounted to a passion. Sycophancy was as acceptable as real regard, since each catered to his vanity.