III.
The third conversation was delayed by Margaret’s illness, and finally took place—
March 19, 1841.
Margaret again complained that we wandered from the subject, and told the following story from Novalis.
Imagine a room, on one side of it Eros and Fable at play. On the other, before a marble slab on which rests a vase of pure water, sits a fair woman named Sophia. Her head rests upon her hand. Between her and the children sits a man of reverend age, before a table at which he writes whatever has been or is. This is History; and as he finishes each sheet he hands it to Sophia, who dips it in the vase of pure water, from which it often emerges a perfect blank. Sometimes a few lines, at others a few words, sometimes only a punctuation mark, survive the test. This troubles the old man. At last he rises and leaves the room. Fable springs to his vacant seat, and scribbles as if in play till his return, when History reproves her for wasting the paper, and passes the sheet to Sophia, when, lo! it comes out from her vase unchanged. Fable has borne the test of Truth. History is enraged at this, and succeeds in driving both Sophia and Fable from their home, unfairly. Sophia is driven away, but the child escapes by a back door, and, becoming bewildered in the central caverns of the Earth, falls into the power of the Fates.
These respectable old ladies find the little Fable very troublesome, and, after some scolding, send her away to spin, when, lo! from the recesses of the cavern all sorts of wonders and strange shapes are spun out. The Fates are frightened, and they seek History to learn in what manner they may best rid themselves of the intruder. However much they may dislike her, she is under their protection, and History can do no more than advise them to send her out to catch Tarantulas! Fable departs and meets Eros, who gives her a lyre, upon which she plays, and the venomous insects swarm about her. The Fates behold her return unharmed! They had hoped she would be stung to death, and in despair Ate throws her scissors at the child, who gracefully avoids them. Hereupon the Tarantulas sting the Fates in the feet, at which they begin to dance. As their clothes are thick and heavy, this is rather inconvenient exercise, and when Fable laughs at their distress they send her away to spin them some thin dresses. Fable is tired of wandering. She plays upon her lyre to the Tarantulas, bidding them spin, and she will give them three large flies. When the dresses are done, she carries them immediately to the Fates, who begin again to dance. The ends of the threads are still in the bodies of the Tarantulas, who do not like to be jerked about. “Behold the flies which I promised you,” said Fable.
Thereupon the Tarantulas fall upon the dancing Fates, and a new dynasty commences, in which Eros reigns, with Fable for prime minister.
Margaret said that in the story she had told she had set us the example of wandering from the subject, but she hoped to some purpose. She hoped no one would have need to call upon little Fable’s body-guard of Tarantulas.
The subject of the evening was Apollo in contrast with Ceres, or Genius opposed to Productive Energy. The history of Apollo stood for the history of thought, its progressive development and its unhappiness. All the loves of Apollo are miserable. He never labors for himself. He uses the instruments which others have shaped. He is so delighted with the lyre, which Mercury, that is Sagacity, has made, that he gives him the divining-rod, and would give him more, but he cannot. The earnest simplicity with which Apollo begs Mercury to swear by the sacred Styx not to steal his quiver or his darts is beautiful! The common understanding, mere human sagacity, may indeed lay hands on the weapons of the Inspired One, but it cannot possess them. The ray, the dart, the quiver, of Apollo all stand for the instantaneous power of thought.