Moreover, the fact of the one voice strongly impressed him. Another voice, however low, must have at some point of the conversation risen to an audible sound to a listener with normal hearing. Also, Anita had asserted that the speeches of Miss Carrington did sound as if addressed to different persons. It was not likely there were two or more intruders or visitors there at once, and slowly but surely Fleming Stone decided, once for all, that Miss Carrington was alone in that room at that time. This meant, not exactly soliloquy, the mode of address contradicted that, but it meant, to him, at least, that she was addressing some inanimate object or objects as if they were sentient.
His task was to discover those objects. His first thought was, as he sat in the easy chair before the mirror, that the lady had spoken to her own reflection. But the speeches, of which he had a memorandum, precluded this hypothesis. She would not say to herself “You are so fond of pearls,” or “You have a beautiful face.”
Abandoning that supposition, Stone methodically searched for something that might have been addressed.
Clearly,—that is, if he were on the right track,—the words “Henri, you are the mark I aim at!” could have been spoken to the Count’s glove, which she held in her hand. In the same vein, assuming that the glove, to her, represented the Count himself, might have been said the speech about the ten thousand dollars, and the remark that he loved pearls.
Accepting these possibilities as facts, Stone went on to discover more. His method was to repeat to himself her very words and strive to see or sense something to which they might have been addressed.
“You have the most beautiful face I ever saw,” he quoted softly and then, scanning the room, went on: “I only wish mine were as beautiful.”
His eyes lighted on the picture of Cleopatra, which hung above the mirror of the dressing-table.
“That’s it!” he cried, with instant conviction. “She looked at that beautiful face and then in the mirror, at her plain features, and she involuntarily cried out for the beauty denied her! Poor woman, to live all her lonely, hungry life, surfeited with wealth yet unable to buy the fairness she craved!”
Not doubting for an instant the truth of his conclusion, Stone checked off that speech and passed on to the next on his list. If he could account for them all, he would be sure Lucy Carrington met her death alone, and therefore by her own hand. Of course, she did not knowingly poison herself, but if persuaded that the prepared draught was some innocent remedy—oh, well, that was aside the point for the moment.
But, quoting the phrase, “To-morrow I shall be forever free from this curse of a plain face,—to-morrow these jewels may all be yours,”—even his ingenuity could suggest no meaning but a foreknowledge of approaching death. What else could free her from her hated lack of beauty? What but death could transfer her fortune of jewels to another? Of course it might be that marriage with her would give the jewels to Count Charlier, but the two speeches were consecutive, and the implication was all toward the fate that was even then almost upon her.