“Yes, and he minimized the chances.”
“But, good Lord, Barry, you’re not hinting——”
“I’m hinting nothing,” said Barry, speaking decidedly now, “I’m reminding you what Davenport said; I’m reminding you of his whole attitude toward the matter of murder; I’m reminding you of his psychological mind, and that it might have been swayed in the direction of crime; I’m reminding you that Pollard’s fool remark about killing Gleason might have started a train of thought in the doctor’s mind——”
“Making me accessory before the fact!” suggested Pollard.
“Unconsciously, yes, maybe. Well, there it is. You asked me for my guess. You have it. It isn’t a suspicion, it isn’t even a theory—it’s merely a guess—but it’s at least a possible one.”
“Barry, you’re batty!” Dean Monroe declared. “Us artists get that way sometimes.” He beamed round upon the group. “Don’t mind Phil. He’ll come out all right. And for heaven’s sake, fellows, forget what he has said.”
Monroe was always looking out for his fellow artist and friend.
Barry’s impulsiveness had often been checked or steadied by Monroe’s better judgment and clearer thought. And now, Monroe was truly distressed at Barry’s speech.
“But where’s the motive?” Lane was asking, interested in this new suggestion, and determined to look into it.
“That I don’t know,” said Barry. “I’ve no idea what his motive could have been. But, for my part, I don’t believe in hunting the motive first. A motive for murder is far more likely to be a secret than to be something that anybody can deduce or guess.”