It was the day after Vicky had given us the slip. It was midafternoon, and I had gone to see Stone, on my return from my office. I was sadly neglecting my own business nowadays, but Mr. Bradbury looked after it, and he sanctioned my devotion to the Schuyler cause.
"Randolph Schuyler was an important citizen," he said, "and his murderer must be apprehended if possible. Do all you can, Calhoun, for humanity's sake and the law's. Take all the time you want to, I'll see to your important business."
So, though I went downtown every morning, I came back at noon or soon after and plunged afresh into the work of finding Vicky Van.
There was little I could do, but Stone consulted and questioned me continually as to Vicky's habits or pursuits, and I told him frankly all I knew.
Also I managed to make business matters loom up so importantly as to necessitate frequent calls on Ruth Schuyler, and I spent most of my afternoon hours in the Fifth Avenue house.
And Ruth was most kind to me. I couldn't say she showed affection or even especial interest, but she turned to me as a confidant and we had many long, pleasant conversations when the subject of the mystery was not touched upon.
Though she never said a word against Randolph Schuyler, I couldn't help learning that, aside from the horror of it, his death was to her a blessed relief. He had not been a good man, nor had he been a good husband. On the contrary, he had blighted Ruth's whole life by thwarting her every innocent desire for gayety or pleasure.
For instance, she spoke of her great enjoyment of light opera or farce comedy, but as Mr. Schuyler didn't care for such entertainment he had never allowed her to go. He had a box at the Grand Opera, and Ruth loved to go, but she liked lighter music also.
This was not told complainingly, but transpired in the course of a conversation at which Fibsy chanced to be present.
"Gee!" he said, looking at Ruth commiseratingly, "ain't you never heard 'The Jitney Girl' or 'The Prince of Peoria'?"