Ruth Schuyler and Vicky Van one person! Why, then, Ruth killed—No! a thousand times NO! It couldn't be true! The boy was insane, and Stone was, too. I'd show them their own foolishness.

"Stop a minute, Stone," I said, trying to speak calmly. "You and the boy never knew Vicky Van. You never saw her, except as she ran along the street for a few steps at midnight. And Terence didn't see her then. It's too absurd, this theory of yours! But it startled me, when you sprung it. Now, Fibsy, stop your sobbing and tell me what makes you think this foolish thing, and I'll relieve your mind of any such ideas."

"I don't blame you, Mr. Calhoun," and Fibsy mopped his eyes with his wet handkerchief. He was a strange little figure, in his new clothes, but with his red hair tumbled and his eyes big and swollen with weeping. "I know you can't believe it, but you listen a bit, while I tell Mr. Stone some things. Then you'll see."

"Yes, Terence," said Stone; "go ahead. What about the prints?"

"They prove up," and Fibsy's woe increased afresh. "They ain't no shadder of doubt. The very reason I know they're the same is 'cause they're so unlike. Yes, I'll explain—wait a minute—"

Again a crying spell overwhelmed him, and we waited.

"Now," he said, regaining self-control, "now I've spilled all my tears I'll out with it. The first thing that struck me was the abserlute unlikeness of those two ladies. I mean in their tastes an' ways. Why, fer instance, an' I guess it was jest about the very first thing I noticed, was the magazines. In here, on Miss Van Allen's table, as you can see yourself, is—jest look at 'em! Vogue, Vanity Fair, Life, Cosmopolitan, an' lots of light-weight story magazines. In at Schuylers' house is Atlantic Monthly, Harper's, Century, The Forum, The North American Review, and a lot of other highbrow reading. An' it ain't only that the magazines in here are gayer an' lighter, an' in there heavier an' wiser; but there isn't a single duplicate! Now, Miss Vicky Van likes good readin', you can see from her books an' all, so why don't she take Harper's an' Century? 'Cause she has 'em in her other home—"

"But, wait, child," I cried, getting bewildered; "you don't mean Vicky Van lives sometimes in this house and sometimes in the Schuyler house as its mistress!"

"That's jest what I do mean. I know it sounds like I was batty, but let me tell more. Well, it seemed queer that there shouldn't be any one magazine took in both houses, but, of course, that wasn't no real proof. I only noticed it, an' it set me a thinkin'. Then I sized up their situations. Mrs. Schuyler's dignified an' quiet in her ways, simple in her dress, wears only poils, no other sparklers whatever. Vicky Van's gay of action, likes giddy rags, and adores gorgeous jewelry, even if it ain't the most realest kind. Now, wait—don't interrup' me, Lemme talk it out. 'Cause it's killin' me, an' I gotter get it over with. Well, all Mrs. Schuyler's things—furnicher, I mean—is big an' heavy an' massive, an' terrible expensive. Yes, I know her husband made her have it that way. But never mind that. Vicky Van's furnicher is all gay an' light an' pretty an' dainty colorin' and so forth. And the day the old sister-in-laws was in here they said, 'How Ruth would admire to have things like these! 'Member how she begged Randolph to do up her boodore in wicker an' pink silk?' That's what they said! Oh, well, I got a bug then that the two ladies I'm talkin' about was just the very oppositest I ever did see! Then, another thing was the records. The phonygraft in here is full of light opery and poplar music like that. Not a smell o' fugues and classic stuff. An' in at Schuyler's, as we seen to-night, there's no gay songs, no comic operas, no ragtime."

"But, Terence," I broke in, "that all proves nothing! The Schuylers don't care for ragtime and Vicky Van does. You mustn't distort those plain facts to fit your absurd theory!"