"Doctor," she told him, lowering her voice confidentially, "I hate to tell it, but he was terribly, terribly drunk, poor boy. I mean, it's all right to speak of these things to a medical man, isn't it? But I pitied him from the bottom of my heart, poor boy, when I saw…"

Morgan got her away from the table after a brief and telegraphic exchange of kicks. They navigated the big staircase and stood in a breezy, lurching hall upstairs while Morgan said things. But Peggy, her prim little face beaming, only chortled with pleasure. She said she must go to her cabin and get a wrap, if they were going to watch with the others; also that she ought to look in on her Uncle Jules.

"By the way," she said, doubtfully, "I don't suppose you'd care to be a Moorish warrior, would you?"

"Not particularly," said Morgan, with conviction. "Is this relevant to the issue?"

"All you'd have to do, you know, would be blacken your face and put on some gilt armour and shawls and things; and stand at one side of the stage with a spear while Uncle Jules speaks the prologue… I wonder if you're tall enough, though? I say, Captain Valvick would make a ripping Moorish warrior, wouldn't he?"

"Oh, unquestionably."

"You see, there have to be two extras, a French warrior and a Moor, who stand on either side of the stage for effect. The stage isn't high enough for them to be on it; they're outside, on a little platform… When the play begins they go backstage, and sometimes they help move the figures — the unimportant ones that have nothing to do. Only my uncle and Abdul (that's his assistant) move the chief figures; they're the only ones with speaking parts… I say, it would be simply awful if Uncle Jules can't play. There's a professor or somebody aboard who's written all kinds of articles about his art. Abdul's all right and he could take the main part in place of uncle. But I'm the only other one, and I couldn't very well say the men's lines, could I?"

They had gone down into a tangle of passages on D deck, and Peggy knocked at a door. In response to a spectral groan, she pushed the door open. The cabin was dark except for a faint light over the washstand. That scene— with the cabin twisting sideways, and rain slashing the porthole — gave Morgan a slight shiver. Two or three witless-looking dummies were sprawled against the bulkhead in a seated position, and swayed with the motion as though they were moving their heads in a horrible chorus. The straps and hooks for their wires rattled eerily; they were solid lumps about four and a half feet tall; they glittered with gilt armour, red cloaks, and gaudy jewelled accoutrements. Their faces, bearded formidably in dark wool, smirked from under spiked helmets. While they swayed, a powerful-looking man with a flattish dark face sat on the couch with another dummy across his knee. In the dim light he was mending the figures cloak with a long needle and blue thread. Occasionally he glanced towards the dark berth where something heavy was burrowing and groaning.

"Je meurs!" whispered a voice from the berth, dramatically. "Ah, mon Dieu, je meurs! Oooool Abdul, je t'implore…

Abdul shrugged, squinted at his needle, shrugged again, and spat on the floor. Peggy closed the door.