The consonants s and p, occurring after a vowel, show that the proposition which the vowel stands for is to be converted either (s) simply or (p) per accidens; except where s or p occurs after the third vowel of a name, the conclusion: then it refers not to the conclusion of the given Mood (say Disamis), but to the conclusion of that Mood of the first Figure to which the given Mood is reduced (Darii).
M (mutare, metathesis) means 'transpose the premises' (as of Camestres).
C means 'substitute the contradictory of the conclusion for the foregoing premise,' a process of the Indirect Reduction to be presently explained (see Baroco, § 8).
The other consonants, r, n, t (with b and d, when not initial), occurring here and there, have no mnemonic significance.
What now is the problem of Reduction? The difference of Figures depends upon the position of the Middle Term. To reduce a Mood of any other Figure to the form of the First, then, we must so manipulate its premises that the Middle Term shall be subject of the major premise and predicate of the minor premise.
Now in Fig. II. the Middle Term is predicate of both premises; so that the minor premise may need no alteration, and to convert the major premise may suffice. This is the case with Cesare, which reduces to Celarent by simply converting the major premise; and with Festino, which by the same process becomes Ferio. In Camestres, however, the minor premise is negative; and, as this is impossible in Fig. I., the premises must be transposed, and the new major premise must be simply converted: then, since the transposition of the premises will have transposed the terms of the conclusion (according to the usual reading of syllogisms), the new conclusion must be simply converted in order to prove the validity of the original conclusion. The process may be thus represented (s.c. meaning 'simply convert')
The Ostensive Reduction of Baroco also needs special explanation; for as it used to be reduced indirectly, its name gives no indication of the ostensive process. To reduce it ostensively let us call it Faksnoko, where k means 'obvert the foregoing premise.' By thus obverting (k) and simply converting (s) (in sum, contrapositing) the major premise, and obverting the minor premise, we get a syllogism in Ferio, thus:
