Recently there have been signs that this conception of primitive thought is giving way to another, namely, that Animism was preceded by Magic. Sir J. G. Frazer puts it, that the idea of Magic is simpler than that of Animism; that Magic is found in full force amongst people whose Animism is feebly developed, and that its beliefs are more uniform throughout the world.[101] Substantially—with qualifications that will appear hereafter—this view of the matter is here accepted. When one comes to argue it, to produce the primitive facts is, of course, impossible. It must even be admitted that such evidence as we have amongst the few facts collected of late years concerning ancient races of men, gives the earlier date to animistic ideas; for if some of the cave-paintings of Aurignacian origin, in which, for example, wild cattle are shown pierced with arrows, may be interpreted as of magical significance; on the other hand, the burial at Le Moustier, still more ancient, shows a regard for the corpse, in the disposal of it and in the things left with it, such as usually goes with the ghost-theory. These discoveries take us back some thousands of years before Menes; but probably leave us far from the beginning of human ideas concerning the supernatural.

If Magic preceded Animism, we must insert a stage of thought at the beginning of Comte’s series, making four instead of three; and the suggestion may perhaps be made to appear plausible, that the Metaphysical stage, the reign of occult forces in explanation, is not a mere residue of Fetichism after the spirit has departed, but rather the re-emergence into daylight of magical ideas of force, that always persisted, but for ages were kept in comparative obscurity by the vogue of Animism.

§ 2. What is Magic?

In his Development of Moral Ideas (II. 47) Prof. Westermarck observes that savages distinguish two classes of phenomena; the natural or familiar, and the supernatural or mysterious. The latter again are divided into the mechanical (Magic) and the volitional (Animism). This seems to be true: it corrects the notion, still common, that the savage explains all natural activities by Animism; recognises that he takes some phenomena as a matter of course, as the animals do; and, as to events that are not a matter of course, rightly marks the distinction between his conceptions of them as either mechanical (due to some uniformly acting force) or volitional (that is, arbitrary or capricious). With the savage, then, there are ongoings of things around him that are perceived to be regular and continuous; and there are others between which connections are imagined to take place, and these either regularly or capriciously: for thus I venture to interpret the difference between the natural and the supernatural; it is the difference between perception-belief and imagination-belief. Common sense, Magic, Animism—these are the three great congeries of ideas that compete for the control of his thoughts and in his interpretation of the world.

Magic may be defined as a connexion of events imagined to be constant and to depend upon the agency of some thing or activity possessing an efficacious quality or force (in fact unreal), and not to depend (as a connexion) upon the will of any particular person.

Whether Magic is ever wrought by the bare wish or will of a human being will be discussed below (§ 6). Here, the proviso that a magical connexion does not depend upon the will of a person, is meant to exclude Animism. For pure Animism involves the belief that a ghost, spirit, or god (though he may work by Magic) can produce an effect by his direct action, without using any visible or invisible means other than his own spiritual body and force. This is not what a magician does: he works by means of a connexion of events known (so he thinks) to himself and often to others. The magical implement (talisman or spell) that he uses has qualities that are magical facts, just as the qualities of his spear are physical facts. He can make a stone spear-head by means of another stone; and he may be able to make a talisman by means of a spell; but the powers of the talisman or of the spell are their own; he cannot create Magic, but only discover and use it. Whether he shall use it, depends upon his choice; but its powers do not; they are inherent, like physical forces. Faust can conjure the devil; but so can Wagner, if he knows the spell: the power of the spell is indifferent to the conjuror. A man may, indeed, be a source of magical power because he is a chief, or has the evil eye, or is taboo for unpurged homicide; but these things do not depend upon his will; he is in the same class with impersonal things that are magical.

A rule of Magic, as describing a uniform connexion of events, resembles what we call a law of nature; and further in this, that it is not supposed to be absolute or unconditional, but a tendency, subject to counteraction by hostile Magic or (perhaps) by demonic force. But it differs from a law of nature in being wholly imaginary and incapable of verification.

To practise Magic is to use some such rule in order to obtain an end desired. This can be attempted by any man, so far as his knowledge reaches; and the greater his knowledge the greater his power, provided he have the courage to act upon it. All stages of proficiency may be traced from the simple layman who swings a bull-roarer to raise the wind, to the wizard who lives by his art, and is feared by all his tribe and far beyond it, or to the erudite magician who controls the demons and vies with the gods.

Magical things, objects or actions, in their simplest forms, are charms, spells and rites; and since the ends for which they can be used are either to protect oneself or to exert power over other persons or things, each of these kinds of magic-thing may be defensive or offensive. A defensive charm is called an amulet; an offensive charm is a talisman. For a defensive spell (say, against sickness or accident) there is, I believe, no appropriate name; offensive spells (say, to control the weather or to curse an enemy) may be called incantations (but the usage is not fixed). Rites (that is, any magic actions that are not spells) may also be defensive (as to touch wood), or offensive (as to point at a man); but we have no names for these different intentions. From these simplest beginnings the whole learning and mystery of Magic seems to have developed.