When Nero after his mother's murder reentered Rome, people paid him reverence in public, but in private so long as any one could speak frankly with safety they tore his character to very tatters. And first they hung by night a piece of hide on one of his statues to signify that he himself ought to have a hiding. Second, they threw down in the Forum a baby to which was fastened a board, saying: "I will not take you up for fear you may slay your mother."
At Nero's entrance into Rome they took down the statues of Agrippina. But there was one which they did not cut loose soon enough, and so they threw over it a cloth which gave it the appearance of being veiled. Thereupon somebody at once affixed to the statue the following inscription: "I am abashed and thou art unashamed."
In many quarters at once, also, might be read the inscription:
"Nero, Orestes, Alemeon, matricides."
Persons could actually be heard saying in so many words: "Nero put his mother out of the way." Not a few lodged information that certain persons had spoken in this way, their object being not so much to destroy those whom they accused as to bring reproach, on Nero. Hence he would admit no suit of that kind, either not wishing that the rumor should become more widespread by such means, or out of utter contempt for what was said. However, in the midst of the sacrifices offered in memory of Agrippina according to decree, the sun suffered a total eclipse and the stars could be seen. Also, the elephants drawing the chariot of Augustus entered the hippodrome and went as far as the senators' seats, but at that point they stopped and refused to proceed farther. And the event which one might most readily conjecture to have taken place through divine means was that a thunderbolt descended upon his dinner and consumed it all as it was being brought to him, like some tremendous harpy snatching away his food.
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[In spite of this he killed by poison also his aunt Domitia, whom likewise he used to say he revered like a mother. He would not even wait a few days for her to die a natural death of old age, but was eager to destroy her also. His haste to do this was inspired by her possessions at Baiae and Ravenna, which included magnificent amusement pavilions that she had erected and] are in fine condition even now. In honor of his mother he celebrated a very great and costly festival, events taking place for several days in five or six theatres at once. It was then that an elephant was led to the very top of the vault of the theatre and walked down from that point on ropes, carrying a rider. There was another exhibition at once most disgraceful and shocking. Men and women not only of equestrian but even of senatorial rank appeared in the orchestra, the hippodrome, and even the hunting-theatre, like the veriest outcasts. Some of them played the flute and danced or acted tragedies and comedies or sang to the lyre. They drove horses, killed beasts, fought as gladiators, some willingly, others with a very bad grace. Men of that day beheld the great families,--the Furii, the Horatii, the Fabii, Poreii, Valerii, and all the rest whose trophies, whose temples were to be seen,--standing down below the level of the spectators and doing some things to which no common citizen even would stoop. So they would point them out to one another and make remarks, Macedonians saying: "That is the descendant of Paulus"; Greeks, "Yonder the offspring of Mummius"; Sicilians, "Look at Claudius"; the Epirots, "Look at Appius"; Asiatics, "There's Lucius"; Iberians, "There's Publius"; Carthaginians, "There's Africanus"; Romans, "There they all are". Such was the expiation that the emperor chose to offer for his own indecency.
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