And perhaps He laughed and answered,—
'Oh, certainly, Miss Fotheringham, as you make such a point of it,' for Ross and I are twins, and we have lived all our life in this little Devonshire village that is tucked into a hollow in the hills. Daddy is the parson here and Uncle Jasper the lord of the manor. But this place is not 'clear cut,' as Uncle Jasper says my 'background' ought to be. It is just a soft jumble of ferns and flowers, of misty mornings and high hedges, of sunshine, of shadows and sweet scents, of hills and dales, of all the countless things that go to make the village so lovely and so baffling.
I think Devonshire is like a beautiful but elusive woman. You think you know her very well, you walk about her lanes and woods, but when you think to capture her soul she ripples away from you in one of her little rushing torrents, just as a woman escapes from the lover who thought he had almost caught and kissed her!
This old-world Vicarage stands in a large and fragrant garden opposite the entrance to the park. If you walk through the great gates and up the long avenue you come to the Elizabethan manor house where my aunt and uncle live with their son, Eustace, and all the family retainers.
Oh! and they are a priceless couple. He isn't interested in anything 'later' than the Middle Ages, she in nothing 'earlier' than Heaven. But their lives are most harmonious, and together they 'wallow in old churches,' he absorbed in aumbries and piscinas, she in the prayer and praise part. Then, perhaps, he'll call her,—
'Constance, look at this floating cusp!'
She admires his treasure, her eyes limpid and sweet with saints and angels, and thinks, 'Why, if I stopped praising the very stones here would cry out,' and so they both take a deep interest in the moulding for quite different reasons.
It's the same with meals. He's always late—she's always patient. She doesn't try to be, she is. He'll come in half an hour after the time for luncheon. 'Constance, I'm so sorry, I'm afraid I'm late, I hope you haven't waited. I found such a fascinating bit of Norman work in that church.' She knows he doesn't mean to be discourteous, but that he's got simply no idea of time, while she is always thinking of eternity, so she says gently, 'It doesn't matter, Jasper, if you hurry now, dear. I always prefer to wait.'
She is such a stately beauty, such a very great lady. She makes all the other women feel their gloves are shabby. Her white hair shines so that I always think it's 'glistering,' and her nose is quite straight, the kind you see in a cathedral on a stone archbishop, and her clothes are 'scrummy,' so really beautiful that you hardly realise them. They are part of her, and she harmonises with the background. Her tweeds are just the heather she walks about in, and at night it's only her lovely old lace that shows you where her neck leaves off and her shimmering cream satin gown begins.
Uncle Jasper worships the ground she walks on, while for her, 'Jasper' comes just after God.