Sarah in her diary thus refers to this act: "This morning my dear Angelina proposed destroying Scott's novels, which she had purchased before she was serious. Perhaps I strengthened her a little, and accordingly they were cut up. She also gave me some elegant articles to stuff a cushion, believing that, as we were commanded to lead holy and unblamable lives, so we must not sanction sin in others by giving them what we had put away ourselves."

Angelina also says, "A great deal of my finery, too, I have put beyond the reach of anyone."

An explanation of this is given in a copy of a paper which was put into the cushion alluded to by Sarah. The copy is in her handwriting.

"Believing that if ever the contents of this cushion, in the lapse of years, come to be inspected (when, mayhap, its present covering should be destroyed by time and service), they will excite some curiosity in those who will behold the strange assemblage of handsome lace veils, flounces, and trimmings, and caps, this may inform them that in the winter of 1827-8, Sarah M. Grimké, being on a visit to her friends in Charleston, undertook the economical task of making a rag carpet, and with the shreds thereof concluded to stuff this cushion. Having made known her intention, she solicited contributions from all the family, which they furnished liberally, and several of them having relinquished the vanities of the world to seek a better inheritance, they threw into the treasury much which they had once used to decorate the poor tabernacle of clay. Now it happened that on the 10th day of the first month that, sitting at her work and industriously cutting her scraps, her well-beloved sister Angelina proposed adding to the collection for the cushion two handsome lace veils, a lace flounce, and other laces, etc., which were accepted, and are accordingly in this medley. This has been done under feelings of duty, believing that, as we are called with a high and holy calling, and forbidden to adorn these bodies, but to wear the ornament of a meek and quiet spirit, as we have ourselves laid aside these superfluities of naughtiness, so we should not in any measure contribute to the destroying of others, knowing that we shall be called to give an account of the deeds done in the body."

This was at least consistent, and in this light cannot be condemned. From that time Angelina kept up this kind of sacrifices, which were gladly made, and for which she seems to have found ample compensation in her satisfied sense of duty.

One day she records: "I have just untrimmed my hat, and have put nothing but a band of ribbon around it, and taken the lace out of the inside. I do want, if I am a Christian, to look like one. I think that professors of religion ought so to dress that wherever they are seen all around may feel they are condemning the world and all its trifling vanities."

A little later, she writes: "My attention has lately been called to the duty of Christians dressing quite plain. When I was first brought to the feet of Jesus, I learned this lesson in part, but I soon forgot much of it. Now I find my views stricter and clearer than they ever were. The first thing I gave up was a cashmere mantle which cost twenty dollars. I had not felt easy with it for some months, and finally determined never to wear it again, though I had no money at the time to replace it with anything else. However, I gave it up in faith, and the Lord provided for me. This part of Scripture came very forcibly to my mind, and very sweetly, too, 'And Dagon was fallen upon his face to the ground before the ark of the Lord.' It was then clearly revealed to me that if the true ark Christ Jesus was really introduced into the temple of the heart, that every idol would fall before it."

Elsewhere she mentions that she had begun with this mantle by cutting off the border; but this compromise did not satisfy conscience.

But the work thus begun did not ripen until some time after Sarah's departure, though the preparation for it went daily and silently on.

Sarah in the meanwhile was once more quietly settled at Catherine Morris' house in Philadelphia.