'Oh yes; for a day or two. But get a little below the surface, and she always has the hard, crude touch of the social amateur. And Allie—how could you be such a little jackdaw as to say that to her—about Prince Charming?'

'Well, it was partly my instincts as an artist. I could not bear to hear you give the light, graphic touches of the setting and leave out the very core. Besides, even Laurette cannot unravel that little mystery. Do you know, Stella, it's the nearest thing to a romance that has happened for—twice one year. A great brilliant ball—a wonderful Austrian band—electric lights, flowers—an introduction without surnames—one dance—intellectual kinship—mysterious sympathy between two souls—a long talk behind ferns and chaperons in an alcove—duty thrown to the winds—till the fugitives are discovered by an irate ci-devant lover who is down for two waltzes—separation without even a lingering farewell—disappearance of the Prince before midnight—no name—no trace. Even the people who got him the invitation depart next day by the P. and O. steamer. Ah me! he was on his way to the Princess of China—or to awaken the sleeping beauty with a kiss. Would I were the sleeping beauty! He really had a distinguished air.'

'I wish Felix would overhear you,' said Stella, who listened to this little rhapsody with a half-tender smile.

'Ah, my dear, when people are so desperately fond of each other as Felix and I, the shadow of romance never eclipses their gaiety. But the more I have thought over the episode, the more does it appear to me in the light of an allegory. You were from childhood the victim of the ideal. You always forsook your dolls when you perceived they were stuffed with sawdust. When you found the kitten of commerce mewed by means of a spring, you would have no more of it. And so in the central fact of a woman's life, as someone has called marriage. You ask for better bread than is made from wheat. Well, just for one evening you saw one cast in that higher mould, and then you were for ever secured from disillusion.'

'Allie, you have got into one of your random fits. Remember, it is you who have been spending yourself on theories and imaginings concerning the unknown.'

'Ah, my dear, it is what you do not say that I try to interpret. But take it, I say, as an allegory—not a real event; and then turn your mind to the sober realities of life. Now confess, if at the end of October you had not gone to a certain assembly, in November you would have fulfilled your engagement and gone to Laurette—seen the Melbourne Cup and made certain promises—renewed them, rather. Remember our conversation two days before the ball, when our dresses came home.'

'I like your way of measuring life, Allie.'

'By the dressmaker's thread? Well, it's much more cheerful than that of the Paræ. But you do remember that conversation?

'Yes, I think we came to the conclusion that some people married because they were in love; others because they thought they were; but the majority because they couldn't be.'

'And that you belonged to the last named; but would very likely find the unholy estate of matrimony as brilliant an affair as most others.'