two Readerships in Divinity at Oxford (1497) and Cambridge, the oldest professorial chairs that exist in either University.
His characteristically frugal offering was not the only sign of his favour which Henry vouchsafed to Magdalen. He sent his eldest son, Prince Arthur, frequently to Oxford. When there the boy stayed in the President’s lodgings and the purchase of two marmosets for his amusement is recorded in the college accounts. One of the old pieces of tapestry preserved in the President’s lodgings represents the marriage of the prince with Catherine of Aragon. It was probably presented to the President (Mayhew) by him.
It is possible that Henry VII. also contributed to the cost of building that bell tower, which is the pride of Magdalen and the chief ornament of Oxford.
The tower was built between the years 1492 and 1505. Wolsey was a junior fellow when the tower was begun, and though popular tradition ascribes to him the credit of the idea and even the design of that exquisite campanile, the fact that not he, but another senior fellow (Gosmore by name) was appointed to superintend the work, is evidence, so far as there is any evidence, that Wolsey had no particular share in the design. He was, however, senior bursar in 1499. But the story that he left the college because he had wrongly applied some of its funds to the building of the tower, is not borne out by any evidence in the college records. He ceased to be a fellow of Magdalen about 1501, having been instituted to the Rectory of Lymington. But he had filled the office of Dean of Divinity after his term as senior bursar was over.
We have referred to the close connection of the house of Lancaster with Waynflete’s foundation. By a curious freak of popular imagination the name of Henry VII. as well as that of the future cardinal has been intimately connected with this tower. Besides other benefactions, he granted a licence for the conveyance to the college of the advowsons of Slymbridge and of Findon.
In return the college undertook to keep an obit for him every year. This celebration was originally fixed on the 2nd or 3rd of October, but it has been held on the 1st of May since the sixteenth century. The coincidence of this ceremony with the most interesting and picturesque custom of singing on Magdalen Tower has given rise to the fable that a payment made to the college by the Rectory of Slymbridge was intended to maintain the celebration of a requiem mass for the soul of Henry VII. And the hymn that is now sung is the survival, says the popular myth, of that requiem.
For in the early morning of May Day all the members of Waynflete’s foundation, the President and fellows and demies with the organist and choir, clad in white surplices ascend the tall tower that stands sombre, grey and silent in the half-light of the coming day. There are a few moments of quiet watching, and the eye gazes at the distant hills, as the white mists far below are rolled away by the rising sun. The clock strikes five, and as the sound of the strokes floats about the tower, suddenly from the throats of the well-trained choir on the morning air rises the May Day hymn.
The hymn is finished, and a merry peal of bells rings out. The tower rocks and seems to swing to the sound of the bells as a well made bell tower should. And the members of the college having thus commemorated the completion of their campanile, descend once more to earth, to bathe in the Cherwell, or to return to bed.
For a repetition of an inaugural ceremony is what this function probably is, and it has nothing to do, so much can almost certainly be said, with any requiem mass. The hymn itself is no part of any use. It was written by a fellow of the college, Thomas Smith, and set to music as part of the college “grace” by Benjamin Rogers, the college organist, towards the end of the seventeenth century.
Whether or no the origin and meaning of the singing was to commemorate the completion of the tower, the singing itself would appear to have borne originally a secular character.