colouring lacks the strength and brilliancy of the Frauenkirche picture.
7 and 8. A saint in armour, and a suffering Christ with gold background and the Saints Henry, Kunigunde, and Lawrence (with the gridiron), are also probably of the same date.
9. Margaret and Anton Imhoff memorial (1446) (numbered 16, on the north wall of the church). Madonna and Child and four angels, and the founder’s family—the father with eight sons, and the mother with four daughters.
The further development of the Nuremberg school of painting, as I have sketched it above (pp. 181-4), may be observed in the following memorial pictures in this church:—
H. Gärtner epitaph, 1462, Madonna and Child, SS. Bartholomew and Barbara (south, near doorway).
Erhard Schon epitaph, 1464, St. Wolfgang and other saints.
Friedrich Schon epitaph, 1464, Birth of Christ, Aaron, Moses, etc.