is the old Sacristy on the north side of the church. There are several interesting carvings here, chief of which is the ROSARY (Rosenkranztafel), Judgment-scene, and crowning of Mary, attributed to Veit Stoss. Amongst other important works attributed to, or actually by him, is the frame of Durer’s great Allerheiligen picture (see p. [193]).
There is also here the original wood model of Labenwolf’s familiar “Gooseman” fountain, and a picture of a meeting of the Meistersingers (with Hans Sachs). Winding steps lead up from this chapel to the Volkamer Chapel above.
ROOM 34
is the chapel on the south side of the church. Church utensils, etc., and in the choir arch an iron painted chandelier, dedicated by the son of Martin Behaim, the navigator, in memory of his father.
ROOM 35.
Mediæval furniture, household articles, beds, and doors with splendid ironwork and hinges. Turn (left) down corridor 26 till you come to (right)
ROOM 36.
The coloured portal is a remarkable piece of late romanesque work, and was once the doorway of the Refectory of the monastery at Heilsbronn. More stoves and furniture.
ROOMS 37-45.