An imitation of a dog fight will form a spirited item in your programme. By your actions you may suggest, for instance, a small cur yapping vigorously until a larger and more ferocious animal endeavors to quiet him.
To produce the higher notes of the dog-bark, the falsetto or “thick” voice must be used, while the deeper guttural tones already explained for use with the “darky” serve for the larger dog.
It is a little difficult to intersperse the two sets of sounds without expressing facial contortion, but you may obtain for yourself a certain amount of license by pretending that the dog fight is taking place beneath a covered table, behind which you may stoop in your supposed endeavors to stop the tumult.
It is but natural to turn from dogs to cats. Whereas you have just given an imitation, perhaps, of a fierce duel, your next effort should endeavor to portray a feline courtship. This should be made as funny as possible. The lady’s “marr-rr-ows” and “mia-a-a-ows” are easily copied after you have been kept awake a night or two listening to the genuine article, whilst the deeper tones of Mr. Tom are included in the repertory of every well-educated schoolboy.
The mouth should be kept fairly wide open and a kind of sideways motion given to it, whilst the cry should be drawled until the lips form for the final “ow.” The spittings and growlings necessitate the bringing together of the lips and teeth, a freedom which your audience on this occasion must permit you. The doleful moans with which our feline friends endeavor to solace one another can be produced by making the mouth very hollow, the lips into the form of a large O, slowly contracted to a very small one.
For the die-away, distant effect, moaning more or less in the throat must be resorted to. The finale can consist of a number of fierce spittings and growlings, suddenly interrupted by an unmistakably human voice (your own) “shoo-ing” the night visitants away.
A variation can be made by giving an imitation of pouring out a glass of wine. To produce the illusion of drawing the cork from the bottle, turn slightly round, thrust the forefinger into the mouth against the cheek, close the lips around the finger, slowly bring the end of the finger round inside the cheek, and force it smartly out through the lips. The result will be a loud pop. By moving the tongue from the back of the mouth quickly backwards and forwards, making it strike against the inside of the gums, the “glug, glug” of the wine being poured out will be plainly heard.
The Lion and the Cow
Under the cover of a screen, the roaring of a lion is simple of accomplishment. Use an ordinary lamp chimney, and give vent to a series of deep-throated roars from this. The effect will both be natural and startling. With the same instrument the deep lowing of a cow can be perfectly imitated, the lips producing the familiar “moo,” the sound being gradually drawled through the glass chimney.
To copy a saw at work is quite easy. Get a ruler, or some similar article, to represent the saw, and draw it backwards and forwards as though cutting a piece of wood. The sound is best made by clenching the teeth, placing the tongue a little forward between the upper and lower teeth, quickly inhaling and exhaling the air. The resultant noise will be an exact imitation of the saw cutting its way through the wood.