(4) A “false” candle. This is made by gumming a piece of white paper into the form of a cylinder, and sticking a slice from a real candle in one end. The third handkerchief must be stuffed into the “false” candle ([Fig. 2]), which should then be placed in a candlestick. From a short distance it will be impossible to distinguish this candle from the genuine article, and the effect will be considerably heightened by the candle-end being lit.
Patter.—The conjurer comes forward to the front of the platform and delivers himself somewhat after the following:—
“Ladies and gentlemen—you will observe upon my table two ping-pong or table-tennis balls. They are quite innocent-looking, and although in appearance they somewhat resemble eggs, will not be found half so deceptive. Will some lady or gentleman kindly select one?”
If the ball containing the handkerchief is selected the conjurer picks it up and proceeds with the trick. Should the other be chosen, however, it makes no difference. The entertainer simply hands it to the person who has made the selection, and remarks: “Very well. Would you mind taking the ball you have chosen and examining it?” Upon the person complying with his request, the conjurer picks up the remaining ball—the prepared one—and continues with the trick.
“Ladies and gentlemen,” he says, slowly rubbing the ball between the palms of his hands, and carefully extracting the first handkerchief from its interior (a simple effort in sleight-of-hand, quickly acquired), “we will now see what effect a little friction has. Ah! Something is happening already!”
The performer allows the second handkerchief to stream forth, and then gradually opens his hands, taking care that one of the handkerchiefs completely covers the ball and hides it from view. He then lays the handkerchief sheltering the ball carelessly upon the table. If this is done in a natural manner, the audience will not have the slightest suspicion that it covers anything at all. Holding the remaining handkerchief up to view, he continues:
“We will now see whether this inherits any of the marvelous properties of the ball from which it was produced. I have here a piece of paper.” (Holds up the red paper.) “It contains neither trap-doors, hidden mirrors, nor other mechanical contrivances. The reason for my using pink paper is that it insures the trick being performed to the pink of perfection. I will now proceed to roll up the handkerchief in the paper.”
This is done, the performer taking care to make the parcel exactly similar in shape to that of the candle on the servante. During the wrapping-up process, however, he carelessly drops the parcel on the servante. With a muttered excuse for his clumsiness, the conjurer again resorts to quickness of the hand, and picks up the parcel containing the candle. The very audacity of this movement will effectually keep the audience from suspecting that a substitution has been effected.
“I will now take this candle and wrap it in the piece of white paper I have here. By the way, can any one tell me what nobleman could very well be represented by a burnt-out candle? No one? Why, the Earl of Wicklow!” (He blows out the “false” candle and wraps it in the white paper.)
“You see I have now two parcels—the pink one containing the handkerchief, the white one containing the candle. I will place them at opposite ends of the table, and make a few passes with my magic wand.”