[Fig. 1] illustrates the appearance of the finished stage, and [Fig. 2] shows the framework of which it is constructed. This framework is comprised of a number of laths fastened together by the method shown in [Fig. 3]. A small metal rod—a long nail with the head filed off will suffice—is driven into each upright lath. This must be done carefully or the wood will split. Next a hole is bored by means of a drill or red-hot poker in each of the laths fitting upon these uprights. By placing the hole in each cross lath over the nail in the upright lath, as shown in [Fig. 3], the framework can easily be put together or taken to pieces, when it is necessary to convey the stage from one point to another.
Fig. 3.—Laths fastened together.
Fig. 4.—Method of joining laths of frame.
Fig. 5.—Cloth or silk mask.
[Fig. 4] depicts the mode of fixing two laths together lengthwise. Instead of having one long lath, it considerably facilitates conveyance if two smaller laths are joined by two thumbscrews as shown in [Fig. 4]. A joint of this description is also shown at C, [Fig. 2].
As can be seen by the diagram, the framework is simply a skeleton box; but a little way beyond the center another lath should be carried across at the top (A B, [Fig. 2]). Two curtains of black cloth must be obtained and fastened to this lath so that they overlap at the center (D, [Fig. 2]).
It will now be noticed that this curtain divides the stage into two separate compartments. The first of these is the stage proper, upon which the illusionist performs his various mysteries. The second compartment is reserved to provide an exit for the performer and his assistants, the flap in the curtains acting as a doorway. Some of the apparatus required for the various illusions may also be kept here during the performance.