Fig. 4.—End-man’s wig, showing workable tuft.
Music is a necessity with a troupe, and you will accordingly require another person to play the piano as an accompaniment to the songs and choruses, as well as for the overture and instrumental pieces. It is also presumed that the members of the troupe have fairly good voices and are able to sing, not only in tune but in time with one another.
In serious or sentimental songs, such as “Swanee River” and other favorites, the “end-men” must forego their love of mirth and take part in all solemnity, reserving their facetious behavior for a more timely moment. After these remarks the principal characters in the troupe may be discussed.
Fig. 5.—Frilled collar, shirt front, and cuffs used by end-man.
The interlocutor is one of the most important persons upon the stage. It is his duty to introduce each number of the programme to the audience; to be the butt of the “end-men’s” jokes; and to assume upon every occasion an air of the utmost ignorance and simplicity, that shall prove an admirable foil to the exuberant humor of his companions. He must appear absolutely innocent of any idea of the answers to the riddles and conundrums asked, and must reply to the occasionally personal remarks of his friends with the utmost suavity and good humor. In short, what with helping the others to sing and keeping the ball rolling generally, Mr. Johnson is responsible, to a large extent, for the success or failure of the entertainment.
From Failure to Success
The “end-men,” with whom lies the task of producing most of the fun of the nigger entertainment, must be possessed of a ready wit—able to tide over awkward pauses, prepared with some “gag” when the fun is beginning to flag, and capable of turning disaster into a mighty success. From Mr. Johnson’s placid obtuseness they will be able to draw much sport, and bandying jokes at each other’s and the interlocutor’s expense, should keep the audience shaking with laughter.
Whilst on the subject of jokes a note of warning may be struck. The moment humor changes to vulgarity, it produces disgust in any respectable audience. It is therefore well worth while to think over the regular jokes you intend introducing into the performance, and if there be any that are in the remotest way likely to offend the feelings of any person in the company, cut them out.